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52 pages 1 hour read

Samantha Irby

Wow, No Thank You.: Essays

Samantha IrbyNonfiction | Essay Collection | Adult | Published in 2020

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Key Figures

Samantha Irby

Samantha Irby was born on February 13, 1980, the third of the three daughters of a Korean War veteran and a nurse. She writes that, almost immediately after her birth, her mother chose to have a hysterectomy, which she jokingly claims not to take as an insult. Though named for her father Samuel, Irby does not express warm feelings toward either of her parents, who apparently paid little attention to her. Her parents divorced when she was four. Her father had alcoholism and meandered in and out of Irby’s life. Her mother was a nurse who had multiple sclerosis, putting Irby in the position of caring for her. Her father died about six months prior to her mother’s death when Irby was in her late teens. Having no family or social safety net, Irby soon began living out of her car. During this time, she benefited from the generosity of friends as she learned how to make her way on her own in Chicago.

Several significant health crises emerged during her early years. The first of these was early onset, unpredictable menstrual periods. Her struggles with this disruptive condition continued, she writes, until in her late thirties when she received an endometrial ablation. She writes, “It’s been three blissful, period-free years” (117). The second of these is Crohn’s Disease, an inflammatory bowel condition that is exacerbated by diet and stress. Like her menstrual issue, her intestinal condition is unpredictably disruptive. She writes about this extensively in her first book of essays, Meaty, which she calls her “diarrhea book.” A third health condition, indirectly referenced, is depression. Irby often describes feelings of self-loathing, some intended to bring a laugh but often full of pain and sadness. The first clue about this issue comes from the opening pages: “This book is dedicated to Wellbutrin.” Another health consideration is Irby’s weight. She is unsparing in describing her heavier body and the continual problems it creates regarding clothing, furniture, and relationships. Finally, the author is reported to have degenerative arthritis, though she does not mention this in her essays.

Irby identifies as a bisexual Black woman who has experienced many romantic relationships. She writes about these intersecting identities particularly in the first two sections of the book. Irby is married to Kirsten, a bisexual, white social worker. The two live in Kalamazoo with Kirsten’s son and daughter.

Family Members

The only family member Irby writes of with almost complete positivity is her wife, Kirsten. References to Kirsten are sparse in the first section of the book, with the author casually mentioning “my lady” or “my wife.” These references increase in the middle section, though they are often indirect, as when Irby describes “two perimenopausal women” engaged in some activity, or when she mentions seeing her wife wearing Irby’s clothes in an Instagram photo. The author does not mention her wife’s name until the third section, in which the couple adopts a rescue kitten. Irby gives little factual information about her wife, saying simply that she is “corny” or that she is much more detailed oriented, as when Kirsten quizzes the gynecologist about the medical procedure Irby will undergo, though Irby would just as soon not know about it.

Just as the author does not give a complete description of her wife, so she offers only tidbits about her immediate family members, gleaned from across the span of the essays. From these scattered details, however, a more complete picture of Irby’s closest relatives eventually emerges. Irby portrays her mother as being preoccupied and, thus, disengaged from Irby’s life. Though her mother sent Irby to church, it was apparently to placate one of her grandmothers. Irby notes that her schoolwork suffered during the time her mother was dying, though she says she did not really apply herself and she does not express how she felt about her mother’s death. Likewise, she describes her father as a sketchy fellow and implies he maneuvered the family into a home purchase in Evanston for which he was not qualified. He had alcoholism and tried to pay the mortgage by renting rooms in the house to his friends with alcoholism. Irby’s parents died within six months of one another. She refers only tangentially to her “mean” grandmother, who forced church attendance on her, then moved away, depriving Irby’s single mother of a living place. Irby does not mention her sisters or other relatives.

Friends and Colleagues

Perhaps because she had no family or community support to lean on after the deaths of her parents, Irby places great value on friendship. Throughout, she mentions the names of friends who came into her life at pivotal moments to provide support and encouragement. There were friends who provided free housing and food so she would not have to live in her car. Others kept her safe and emotionally supported her when she went clubbing, looking for dates that either did not materialize or turned out to be undesirable. When she began honing her writing skills, first at clubs and then on the Internet, friends provided honest, helpful critiques. Irby notes that doctors, landlords, and other authority figures were not always understanding or supportive. She cultivated many friends in Chicago, however, who perceived what sort of support and assistance she needed.

For Irby, friendship and work go hand in hand. Her friends often become her colleagues, and her colleagues often become her friends. Lindy West and Roxanne Gay, both prophetic women who speak up for different minorities, claim friendship with Irby. The author mentions that she is occasionally mistaken for Gay, which she considers a compliment. Celebrities and noteworthy businesspeople—like influencer Abbi Jacobson and literary agent Kent Wolf—sought Irby for projects and eventually became fast friends as well. Having grown up with undependable parents, Irby finds strength and trust in her friends and colleagues, among whom she does not differentiate.

Romantic Partners

Irby describes her romantic relationships with great candor. Unlike her depictions of her friends, Irby does not name names when it comes to her liaisons, though she is often open and descriptive about her encounters. Just as her discussions of her schooling, early independence, and physical issues center around longing and failure, so most of what she says about her romantic interests focuses on why relationships did not work out.

Irby is circumspect in talking about her own part in her failed romances. She describes herself as being too eager, as misreading the interest of potential lovers, or as being uncertain about whether to contact love interests rather than waiting to hear from them. In describing her attraction to one, much older individual, she criticizes herself for being willing to “settle” for him. Yet, in her relationship with Kirsten, she finds that “settling”—meaning accepting the reality of another person rather than yearning for an imaginary ideal—may not be such a bad thing after all. Ultimately, Irby’s most prophetic insight is that there is no one right romantic partner. Happiness comes from the willingness to negotiate and adapt.

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