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48 pages 1 hour read

Samra Habib

We Have Always Been Here: A Queer Muslim Memoir

Samra HabibNonfiction | Autobiography / Memoir | Adult | Published in 2019

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Themes

Reconciling Faith and LGBTQ+ Identity

There are two main conflicts at the heart of Habib’s memoir: their struggle to live authentically as an LGBTQ+ person and their struggle to reconcile their faith with their queer identity. The memoir’s title, which comes from the lived experience of the transgender woman Zainab, is a testament to Habib’s commitment to bringing together their faith and queer identity. “We have always been here” validates LGBTQ+ identity within religious spaces by weaving the experiences of LGBTQ+ Muslims through the history of Islam itself (116). Habib’s photography project Just Me and Allah allows them to express the intersection between these two identities through a catalogue of other LGBTQ+ Muslims, thereby reconciling their queer and religious identities.

Habib grows distant from Islam after running away from home. The members of their Mosque community shunned them after they dissolved their marriage with Nasir. Habib believes this happened because they had directly challenged the “central tenet of Muslim households” of obeying one’s parents by dissolving the marriage (106). The Mosque shunned their mother as well when the Mosque was her only means of accessing community. Habib implies that they abandoned the faith because their Mosque showed them that their own autonomy was incompatible with Islam. Their queer identity is a core expression of their self, which by extension would also be unwelcomed as autonomy that defies tradition. Habib later admits that this assumption is partly based on internalized anti-Islamic biases that lead them to assume that other Muslims, like their mother, will reject them (125).

When Habib reconciles with their queer identity, they find themself lacking community without Islam. After leaving Alex, Habib learns how “race and desire intersect” (101). In Europe and Toronto, they find themself amongst primarily white LGBTQ+ people who still hold prejudiced views toward Pakistani people. When Habib is in Tokyo, their most poignant experience in the LGBTQ+ bars is meeting a gay Pakistani man. Meeting this other non-White LGBTQ+ person is “like finding a missing puzzle piece” (93). Due to Habib’s intersectional identity as a queer Pakistani Muslim, they crave a community that also sits at this intersection of identities.

The Unity Mosque and Habib’s photography project represent a reconciliation between their identities and a chance to find a community to call home. The Unity Mosque challenges their preconceived notions about Islam that had once kept Habib away from the faith. Transgender people attend the Mosque openly and proudly, there is no gender segregation, and Habib is accepted for not wearing the hijab. The Unity Mosque gives Habib both a community of Muslims and a community of LGBTQ+ people that make them feel at home. The Mosque models LGBTQ+ Muslim life for Habib and opens their eyes to new possibilities. The Mosque’s role as a model for Habib mirrors Andrew and Abi’s roles as LGBTQ+ role models for Habib. Habib’s journey to reconcile their faith and queer identity illustrates the importance of representation and communal acceptance when navigating complex intersectional identities.

Found Family and Finding One’s Identity

Habib runs away from their biological family at the age of 18 and does not reconcile with their family until their thirties, leaving a large gap in Habib’s life where they are without a family. This gap is filled by found family, or friends and individuals that fulfill the usual functions of a familial unit.

Andrew, Abi, Megan, Alex, and the Unity Mosque all fill gaps in Habib’s life left by the loss of their family throughout their twenties. Habib’s found family are all LGBTQ+. The found family helps Habib navigate elements of themself that their biological family is entirely unequipped to help them navigate. While Habib marries Peter to save their mother from more shame, Andrew and Abi help them understand what it means to live openly as an LGBTQ+ person. Habib’s parents have a conception of what is “best” for Habib that fails to account for who they are. Habib suggests that this is because their own upbringing has left no room for raising a person like Habib: If their mother’s world has been so limited that she believes marrying Habib off to Nasir is the best she can provide, then it follows that their mother and father are ill-equipped to understand an LGBTQ+ child, let alone raise and affirm one.

Habib’s journey toward self-acceptance is tumultuous. After they vow to no longer be afraid of who they are on their trip to Japan (90), they return to Toronto and enter another heterosexual-presenting relationship to hide their true self (101). Transitioning into a self-confident LGBTQ+ person is not a straightforward process for Habib; they require the encouragement and assistance of their found family to untangle the heteronormative assumptions placed on them. Habib’s found family helps them unpack the ideas about hiding, safety, and authenticity that their upbringing placed on them. Habib’s journey is made possible by a found family that helps them unburden themself from problematic ideas and assumptions placed on them during childhood and adolescence.

Habib struggles between two worlds: the heteronormative assumptions of their upbringing and marriage to Peter and the more authentic future offered by their found family. Habib’s childhood and time with their biological family taught them that they must hide who they are in order to be safe: Habib must hide that they are Ahmadiyya, and they feel like they must give up their dreams to make their family happy by marrying Nasir. Their found family offers continual support and encouragement while Habib repeatedly backs down from dating women or making advances on them (86, 90). Habib’s biological family (initially) consists of well-meaning and loving parents who nevertheless harm their child due to their lack of perspective and own personal struggles, while their found family is comprised of people with unique insight into Habib’s struggles and needs as an LGBTQ+ person. While their biological family eventually grows and becomes incredibly accepting and open, Habib needs their found family “soul mates” to heal and grow (103).

Healing Intergenerational Trauma

Intergenerational trauma is the passing of struggles, dysfunctional habits or regulation, and harmful mindsets from one generation to the next within a familial unit. The cultural expectations put on their parents leave no room for the possibility that Habib may be neither heterosexual nor a cisgender woman; Habib’s arranged marriage to Nasir excludes any other possibilities beyond conforming to these traditional assumptions. The assumptions, expectations, and harm placed on their mother are passed down to Habib both through the way they are raised and the ways in which they witness their parents interacting.

Habib depicts their mother as a resilient and brave woman who nevertheless has an extremely limited scope of what is “best” for her child. Likewise, their father intends the best for them but is a very traditional man whom Habib depicts as not grasping the way he harms his children while they are young. Yasmin was only allowed one path in life: to be a “pious wife and attentive mother” (10). This path allowed her to get out of poverty and ensured that her children would not suffer from poverty in Pakistan. Habib spends much of their early life in Pakistan recounting the ways in which they observed the women around them. They watched as their mother was harassed by men on the streets (12) and how their mother came alive when no men were around (13).

Yasmin grew up in a society where men only value women for their ability to produce boys (18) and can freely harm women with few repercussions (64). Yasmin remarks that she knows best when Habib questions the arranged marriage (50-51). Habib argues that this “best” is due to the dangerous world Pakistani women are forced to navigate. The habits, concessions, and self-sacrifice that allowed Yasmin to survive become traumatic when she attempts to place Habib in an arranged marriage with a man who she knows and has power over. What was best for Yasmin and allowed her to survive is traumatizing and stifling when foisted on Habib.

Habib believes the intergenerational trauma passed down by their mother is a result of their mother’s concessions to a patriarchal world to ensure survival for her and her children. When Yasmin refuses to explain why she arranged the marriage between Habib and Nasir, Habib has an epiphany. They realize, “The lines between grown-up and child were often blurred between me and my mom. Her ‘best’ did not look like mine; in fact, it looked like danger. It felt like surrender” (50). The parent-child archetype is reversed between the two of them because of their separate identities and life experiences: Habib is not heterosexual while their mother presumably is, and Habib has had educational opportunities that their mother never had. Habib uses the reversal of the stereotypical parent-child relationship as a metaphor for their mother’s limited scope of understanding. This reversed relationship dynamic argues that Yasmin’s limited scope leads her to genuinely believe that something traumatizing to her child is for the best.

Yasmin and Habib begin repairing their relationship only after Yasmin reclaims some of her own autonomy. By opening the salon that Pakistani women use as a community center, Yasmin gives herself both economic and political autonomy. The salon lets women create their own “universe” away from men (79). Habib and Yasmin reconnect in this salon that centers the empowerment of Pakistani women. Yasmin surprises Habib by accepting everything about them within this space and never showing an ounce of closed-mindedness.

The personal growth both have experienced by Chapter 6 allows Habib’s freedom to help their mother “out of the cycle that had imprisoned her and so many other women in my family” (79). Yasmin lives vicariously through Habib’s bold and LGBTQ+-coded fashion choices. Habib helps expand Yasmin’s scope of experience, while Yasmin grows personally through her salon. Habib’s reconnection with their mother argues that an expansion of experience and scope changes Yasmin’s conception of “best,” thus breaking cycles of intergenerational trauma caused by narrow scopes of life experience.

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