44 pages • 1 hour read
Jesse Q. SutantoA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Vera Wong’s Unsolicited Advice for Murderers opens in San Francisco. Vera Wong’s Chinese horoscope animal is a pig, but she sees herself as more of a rooster. Every morning, she rises from bed at exactly 4:30 a.m. and sends a text to her lawyer son, Tilly. She reminds him that it is 4:31 a.m., being invested in his life. Vera then takes a brisk walk around the neighborhood and returns home to open her tea shop.
Vera’s tea shop once had many customers—mostly older immigrants—and now her only regular is her friend Alex Chen. She keeps a ledger of special teas she has concocted for him over the years, each one different. Today, she makes yet another tea for him and his ailing wife, who has Alzheimer’s disease. Alex arrives, and they sit down for a pot of Tieguanyin as she asks about his family. Of his two sons, he brags about his filial son Fasai, who brings him groceries every week and has a successful business. Alex ends up being the only customer of the day. Vera knows that someday, she will have to close the shop for good.
The next morning, Vera rises at 4:30 a.m. as usual and goes downstairs, where she finds a corpse on the floor of her shop.
Julia Chen hates her husband, Marshall, for walking out on her and their daughter, Emma, the night before. However, she hates herself more for being controlled by him. She spent the night stuffing his things into trash bags and piling them by the door. Julia is startled when two police officers, Officers Gray and Ha, arrive at her door and announce that Marshall is dead: He was found at Vera’s tea shop, his face bruised and scratched, with ecstasy in his pocket—thus, they suspect an overdose.
Vera has been unable to sleep, preoccupied by the recent police investigation of Marshall’s corpse. She had carefully drawn a line around the body to save the police trouble. However, she was aghast that the police didn’t immediately suspect murder. Officer Gray questioned Vera, who doesn’t know the identity of the deceased. She assured Officer Gray that she didn’t touch the body and asked if he was involved with drugs. When asked if she touched the deceased’s things, Vera lied—she took a flash drive found in his fist.
The medical examiner told Vera that Marshall likely died of a heart attack. When everyone left, she concluded that the police wouldn’t be able to solve the murder—though she admits her own part in this failure, as she took evidence. Without the flash drive, the police have no reason to suspect foul play, but she considers herself better qualified to solve the murder anyway. Vera then made a list of suspicious details about the deceased: a bruise on one cheek and scratches on the other, bodily swelling, ecstasy in his pocket, and the flash drive.
Riki Herwanto sees Vera’s obituary for Marshall Chen in the local newspaper and on the internet. He can’t bring himself to empathize but regrets what happened in his last encounter with Marshall. He visits Vera’s tea shop to see the place where Marshall died. The shop is dark, with grimy windows and crumbling posters. Vera tells Riki to sit while she makes tea. Struggling to explain his presence, he tells her that he is a reporter from Buzzfeed.
Sana Singh bumps into Riki as he leaves Vera’s tea shop. She tells Vera that she is investigating Marshall’s death for a true crime podcast and suspects there is more to her by the cunning glitter in her eyes. Questioning Vera, she realizes Marshall died only a few hours after she herself last saw him. Vera becomes distracted by a woman carrying a toddler outside the shop. When the woman flees, she tries to catch her, to no avail. Vera returns to find Sana peeking into one of her drawers of tea ingredients.
After meeting Riki, Sana, and the woman outside her shop, Vera feels she has nearly solved the case. She makes a list of observations: Riki is too handsome to be a real reporter, Sana’s nails are badly bitten after having possibly scratched Marshall, and the unidentified woman was strong enough to outrun Vera while carrying a toddler, making her possibly strong enough to kill Marshal.
Vera calls her son, Tilly, and asks how one would go about unlocking a flash drive found on a corpse. He is appalled at her interference in a possible murder, tells her to stay out of trouble, and promises to call back after work. After he hangs up, she remembers that Alex came to the shop that morning, but she shooed him away so he wouldn’t scare off potential suspects. Vera assembles a care package and takes it to his apartment. A disheveled Alex heard about the murder and expresses sympathy. Vera assures him that she is not distressed and is determined to find the killer.
Vera returns to her shop, pleased by Alex’s gratitude for her tea. She is shocked to see “Marshall” waiting outside her shop.
Oliver Chen, the man outside the shop, explains that he is Marshall’s twin brother. He reflects on always being a people-pleaser, in contrast to Marshall, who has always been a user and abuser. He has always been the scapegoat in his family, blaming himself for his mother’s death when he was six. Marshall became their father’s favorite and blamed Oliver for everything he himself did wrong.
Vera asks Oliver what his brother was like. He tells her the truth—that Marshall was charismatic and cruel and that Oliver was his favorite target. She says this is what she expected, as she was certain that Marshall was murdered because he was a bad man. Oliver is shocked by the suggestion of murder, as the police told him that Marshall died from an allergic reaction. He was allergic to many things, including bees, nuts, and bird feathers. Vera tells him to give her his phone number so that she can call him when she finds the real killer.
Vera Wong’s Unsolicited Advice for Murderers shifts from one character to another in limited third-person perspective, allowing Jesse Sutanto to reveal each character’s inner world. However, she only reveals what each character knows in the moment, doing so to avoid revealing the killer—as all four of Vera’s suspects have motives for targeting Marshall. Vera, the novel’s self-appointed sleuth, is methodical but makes assumptions that get in the way of truth. For example, she overlooks the fact that her friend Alex is the first to visit the crime scene the day after the crime. Furthermore, his disheveled appearance and sympathy for her distress foreshadow his guilt. Sutanto uses misdirection to conceal the connection between him and his twin sons, Marshall and Oliver. Although Vera has spent many hours talking to Alex about his sons, he always uses their Chinese names, so “Marshall” and “Oliver” don’t alert her to anything awry. He also lied about his wife having Alzheimer’s disease; in reality, Marshall and Oliver’s mother died young, when the twins were six.
As per the cozy mystery genre, it is common for an amateur sleuth like Vera to have a quality or ability that enables her to solve a mystery where others fail. Ironically, her strength is her conviction that she is qualified to solve Marshall’s murder. She has what she describes as a Chinese mother’s ability to sense wrongdoing in her children. Thus, Vera’s four suspects become her children. The police in cozy mysteries are generally depicted as competent but perhaps hindered by lack of knowledge. Officer Gray is depicted as competent but is quick to dismiss Marshall’s death as natural due to Vera’s theft of his flash drive.
Vera’s identity as a Chinese woman is key to her role as a sleuth: Referencing Chinese horoscopes, “Vera […] is a pig, but she really should have been born a rooster” (1). Even to readers unfamiliar with the Chinese zodiac, the two animals reveal that she is assertive, certain she knows the right way to do everything. These traits make her a strong leader; her pig-like doting is closer to her true personality but has given way to rooster-like diligence in the last years—due to her husband’s death and son’s distance. Vera’s theft of Marshall’s flash drive is motivated by boredom, loneliness, and the need to do something significant and do it right.
Vera’s relationship with her son, Tilly, introduces the themes of Motherhood and Selfhood and Culture and Intergenerational Relationships. According to Chinese tradition, adult children are expected to care for older relatives. Vera prides herself in having taken care of her parents as a teenager. She also feels proud of her hardworking, successful son but is saddened by his distance—which she interprets as a lack of filial piety. This sadness is partially fueled by her lingering need to take care of others. Tilly is the only outlet for Vera’s mothering, but he clearly finds it stifling. He refuses to answer her texts and expresses frustration at her calls. However, this isn’t to say he doesn’t love her, as he is concerned about her interference in a possible murder. The outline that Vera draws around Marshall’s corpse lingers as a symbol of death—that of both Marshall and her tea shop. However, the appearance of her four suspects, all young, introduces the theme of The Significance of Family and a sense of newfound purpose to counteract this lingering death. Vera thinks herself a sleuth but mothers her suspects with tea and sympathy. In time, these suspects become friends and satisfy her need to be needed.
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