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59 pages 1 hour read

Abraham Cahan

The Rise of David Levinsky

Abraham CahanFiction | Novel | Adult | Published in 1917

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Character Analysis

David Levinsky

Content Warning: This guide contains discussion of antisemitism and pogroms. It also references misogynistic views. This novel sometimes uses language that is offensive to people with mental health concerns and contains a depiction of sexual assault.

David Levinsky, the protagonist, immigrates from Antomir, Russia, to the United States. David is both a round and dynamic character, changing throughout the story. His youth in Russia centers on his Talmudic studies. He loses his father when he is three and his mother while still a young man. David grows up poor and relies heavily on the charity of others to survive, continually fluctuating between extremes. In his youth, this manifests in a cycle of deep penitence and heathen sin. He prays for forgiveness and strength to avoid temptation, then gives in to temptation entirely, reveling in the shame and self-disgust. David proves to be a risk-taker, scrounging the money to immigrate to America with the help of his first love, Matilda.

David’s arrival in America shows him his own insignificance; he struggles to make a living, leaning heavily on anyone he can; he loathes peddling and escapes into novels and learning. David operates as his own antagonist, constantly undermining his own decisions and leading himself to act against his best interests or his moral code. He enters relationships with women who are unattainable. David works tirelessly to achieve financial success, but he finds no joy in it. He sabotages his happiness by choosing money over education. By the end of the novel, David confesses to a deep unhappiness. He mourns his choices but does not reflect on the relationships he has with others and how that affects his happiness.

David’s final reflections demonstrate his lack of ownership over his misery. He laments the choices he made but does not accept his culpability in these choices. David tells the reader he is lonely but does not think about how he alienated the people who cared for him or with whom he built relationships. Dora and Max were like family to him, but his sexual relationship with Dora ruined that. Mr. Kaplan takes him into his home and accepted his proposal to his daughter, but David casts them aside for an unknown girl. He wheedles into the Tevkin family only to cast aside their goodwill for his obsession with Anna. Even as he describes his loneliness, he maintains that he loves Anna.

David’s hypocritical and self-sabotaging actions complicate him as a character. Cahan creates a whole and believable man, full of contradictions and flaws. David does not realize or reckon with the consequences of his actions, but Cahan depicts them honestly, allowing the reader to draw conclusions.

David’s Mother

Though unnamed, David’s mother serves as the primary support character for the first section of the novel. David’s mother protects her son fiercely. She works all day to keep him in private school and fed. When she discovers that a Gentile boy from the nearby town has hurt her son, she marches to his family home and confronts his father. She shows compassion to one of the local fallen women but holds disparaging views of anyone who crosses her. Devout to Orthodox traditions, she keeps her hair always covered and pushes David to study the Talmud rather than learn a trade and earn money.

Her protectiveness of David leads to her death. When David is still a young man, she confronts a group of Gentiles who harass him on his way home from school. The men beat her so severely that she dies shortly after returning to their home. David has a difficult time reckoning with her death, and the Antomir community fears mourning her openly as they are subject to increasing discrimination. Mrs. Levinsky sacrifices everything, even her own life, for her son. Her relationship with David causes him to have an unrealistic expectation of women in the future. He keeps searching for the perfect woman, but no such person exists. David’s naiveté in female interactions comes from his sheltered childhood and his Orthodox upbringing.

Matilda Minsker

Matilda, a recently divorced young woman, meets David when her mother brings him home as an act of charity. Matilda differs from most of the women David knows. She attended boarding school in Germany and speaks fluently in Russian. She teases the naive Talmud student, David, ridiculing his piety and orthodoxy. Matilda goads David into trying to seduce her. She then ridicules him for his sin. Matilda never returns David’s amorous attention, but she recognizes his potential. She helps him raise the money to emigrate, telling him to go get educated. She pushes David out of the nest of his home country and on the American adventure.

Years later Matilda comes to America as a passionate socialist married to a former Russian prisoner. She shows contempt for the man David became; as a prosperous anti-union businessman, he now embodies all the things she stands against. David feels a keen shame for his ostentatious wealth and lack of education. He brushes off her criticism but reanalyzes his position on socialism.

Max Margolis

Max “Maximum” Margolis befriends David while he works as a peddler on the streets of the Lower East Side. He works for a group of dance halls. David describes him as a ”tall, large-boned man, loosely built. His lips were always moist and when closed they were never in tight contact” (142). Initially, David and Max remain mere acquaintances, but after David asks Max for a business loan, the two men become closer. Max invites David over for supper regularly. Eventually, David moves in with the Margolis family when they relocate to a larger home.

David’s friendship with Max takes a backseat when David discovers his attraction to Max’s wife, Dora. David’s guilt for seducing Max’s wife is tempered by Max’s regular affairs with other women. Max had no education and could scarcely write his name. He works hard to keep his daughter and son in school, even helping his wife Dora to get her education by buying her extra books. The two seem to have a genuine affection for each other, though there is no description of passion.

Max eventually discovers the relationship between David and Dora. He confronts David, who denies the whole thing. Max tells David he believes him but never contacts him again.

Dora Margolis

David’s obsession with Dora begins at their first introduction. He describes her as “too serious, almost angry […] [with a] clear, fresh, delicate complexion” (227). Dora works tirelessly to maintain Max’s home, care for her children, and keep up with her daughter’s studies. Dora learns everything Lucy, her daughter, does, keeping pace with her studies as she progresses through her education. Dora’s pride shows as she demonstrates her understanding of the English language and spelling.

One evening, Dora tells her history to David, with “profound frankness and quaint introspective insight” (300). David begins to think that Max is not worthy of her. He wonders if Dora knows how much Max cheats on her. David resolves to seduce her. The two carry on an affair. Dora ends the affair shortly after David offers her a diamond bracelet. She determines to stay with Max, telling David he must move out of their home. The two fabricate a quarrel, and David leaves.

Abraham Tevkin

Abraham Tevkin makes his first appearance in Talmud school when Naphtali reads his poetry to a young David. Naphtali regales David with the love story of Abraham and his wife, whom he seduced by writing her Hebrew poetry. Abraham Cahan, the author, has a history that mirrors Tevkin’s, including writing for socialist papers and leaning into the cultural traditions of Judaism.

David does not think of him again until he meets his daughter, Anna, in the Catskills. David then seeks out all the author’s work and then the author himself. David’s obsession with Anna drives him to make friends with Abraham Tevkin and support his periodical and real estate ventures. Tevkin tells his daughter that David is just a family friend. The two men become quite good friends, often passing hours in each other’s company. David becomes a fixture at the Tevkin family home, much to the chagrin of his socialist children. When David proposes to Anna, the friendship breaks irrevocably.

Anna Tevkin

David first sees Anna as she plays tennis at a resort in the Catskills. He finds her figure appealing, though he describes her as scarcely more beautiful than his fiancé, thinking that “spiritually there was a world of difference between their faces, the difference between a Greek statue and one of those lay figures that one used to see in front of cigar stores” (509). David finds himself captivated by the young woman, more so after he discovers the identity of her father. He draws her into a conversation about literature, disagreeing with her opinions but finding her arguing charming. When one of the other women tells her she should hold on to David since he is so rich, Anna begins to shun him. David should return to his life and fiancé, but he stays for the remainder of the weekend hoping to draw Anna back out.

David’s obsession with Anna and loss of her as a romantic prospect causes him deep unhappiness. He barely knows her, yet he convinces himself that she must be his wife. He breaks off his engagement, stalks her father, and worms into her life. She continues to rebuff him. David’s loneliness and lack of a wife rest on his refusal to commit to a woman who both wants him and can be with him. Anna represents all that David wants for himself but in an imagined way. He thinks marrying her will bring her back to his hard-working Russian roots. Instead, he casts off a chance at familial happiness for a dream that never comes true.

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