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63 pages 2 hours read

Sara Nisha Adams

The Reading List

Sara Nisha AdamsFiction | Novel | Adult

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Themes

The Transformative Impact of Stories

When Mukesh, reeling from the disastrous first venture into the Harrow Road Library, struggles to find a book on his own, he ends up checking out an out-of-date government manual that provides specifications for highway and bridge constructions. That kind of book reassures Mukesh—nonfiction clarifies the confusing world by providing data that falls into patterns of inevitability and causality. To Mukesh, nonfiction—whether a book about transportation or a nature documentary—pretends the world is accessible and knowable.

To the Mukesh of the early chapters, fiction does the opposite. It is a waste to spend time caught in a fantasy. Early on, Mukesh sees no value in novels, especially in fiction; he cannot understand what his wife got out of them, and he worries that his granddaughter’s love of them is a sign of social isolation. Aleisha is not a reader either; she is bored by her job at the library and too caught up in the problems of her life to see any point in wasting time on books. In the parallel stories of Mukesh and Aleisha, the novel provides two case studies of characters, both non-readers, who come to learn the same insight: Fiction provides templates for handling the real world.

At first, Mukesh and Aleisha view novels as an escape. Aleisha finds comfort in slipping out of her real life and into the fictional world of her current book. Mukesh enjoys the same at times, though he is more cautious about the escapism that comes from novels due to Priya’s closed-off demeanor. Later in the book, Aleisha also rejects the idea of using novels to escape from real-world troubles; doing precisely that, she feels, blinded her to the warning signs of Aidan’s impending death by suicide.

Ultimately, Mukesh and Aleisha both come to develop a healthy connection to novels. It is not, Adams argues, necessarily a bad thing to escape into books—but that is far from their only purpose. Stories, even—especially—fictional ones, can teach a person about the world. They are not substitutes for life experiences, but they illuminate real life and allow readers to deepen their understandings of others and themselves. A reader feels for the characters in a book, and when similar experiences occur in their lives, they feel the reassuring presence of those characters. In The Time Traveler’s Wife, Mukesh finds a love story that resonates with his own devotion to his late wife; in To Kill a Mockingbird, Aleisha discovers a father figure she lacks in her own life. Each novel on the list teaches Mukesh and Aleisha something new: how to empathize with others, how to let go of the past, and how to overcome grief, just to name a few. One by one, Mukesh and Aleisha are transformed by their stories; they learn to emerge from their isolation, to bond with each other and their families, and to accept new loves in their lives.

The novel suggests that the greatest impact of stories is their ability to form connections. No reader is ever truly alone. Every person who picks up a book is, whether they know it or not, connected to every other person who has, or will, read it. When Mukesh realizes how many other people have checked out To Kill a Mockingbird, he notes that “[e]very reader [is] unknowingly connected in some small way. And he [is] about to be part of this too” (95). This, more than anything else, transforms Mukesh and Aleisha—and even Priya and Leilah, easing all of them out of their loneliness.

The Interlude chapters cement the power of stories. The people who pick up Naina’s reading list are varied and scattered, unconnected in any other ways. However, they are all drawn to the list in one way or another—and, in turn, they are all connected to each other and Naina. Those who engage with the list, who take the time to read one or more of the books on it, find themselves touched in some way or another; their heartbreak or loneliness is eased, perhaps, or they engage in bittersweet nostalgia. Though they may never meet the others who picked up Naina’s reading list, they are all connected to each other in being transformed by the power of the stories on it.

The Reward of Intergenerational Friendship

It is an improbable friendship: a nearly 80-year-old widower, stuck in a lonely routine after the death of his beloved wife, and a snarky teenager who lashes out at those attempting to violate her calculated isolation. The usual clichés do not apply: Aleisha is not searching for a surrogate father figure, as she is well aware of her father and his imperfections. Mukesh is not searching to replace his dead wife, nor does he long for some kind of surrogate family. Their friendship emerges only because they are two very lonely people who have experienced firsthand the illogical traumas of life and are struggling to understand why such catastrophes happen and how to cope with them.

The friendship, awkward initially, evolves as the two discover that the satisfaction of reading demands others to complete it. Reading alone is rewarding, even necessary; it allows Aleisha and Mukesh to derive personal lessons from the books they read and gives them the chance to be safely vulnerable on their own. But true fulfillment, for them, comes from the experience of sharing what they gleaned from the novels. The books are wonderful on their own, but the bonding opportunities they create are far more valuable to Aleisha and Mukesh.

The novel argues that the young can learn from the tempered wisdom of the older generation, and the older generation, in bonding with the younger, can relearn, relive, and reexperience all of life’s tragedies and joys by sharing them with their younger counterparts. In the aftermath of Naina’s death, terrified of living without his wife by his side, Mukesh finds, in conversing with Aleisha, an expansive delight in the moment that was lost to him. Aleisha, in turn, finds a friend in Mukesh—someone who is on the same journey of discovering the joys of fiction as she is. She also gains a comforting mentor, as Mukesh helps her navigate her grief after Aidan’s death by suicide.

Other intergenerational relationships develop in the novel, too. Much of Mukesh’s engagement with reading stems from a desire to bond with Priya, something he has previously failed to accomplish. Early in the novel, it is clear Mukesh doesn’t understand his granddaughter; he loves her, but he has no idea who she is or what she likes. As he goes through the reading list, he gains a deeper understanding of Priya’s love of books, as well as the confidence to brave new places with her. The two of them are equally mesmerized by their foray into the bookshop, and that first moment of true connection grows into a true bond as the story progresses.

Aleisha, for her part, works to develop a relationship with her mother through the reading list. Leilah, whose mental-health conditions lead to intense mood swings and prevent her from leaving her home, only seems at peace when Aleisha reads to her in bed. Bonding with her mother over books brings Aleisha the kind of joy she hasn’t had since childhood, and it gives her true hope that her mother will recover. The evolution of Aleisha’s bond with her mother is more fraught than Mukesh and Priya’s story, as Aidan’s death by suicide deeply affects both Aleisha and Leilah. However, their story ends on a positive note. Leilah, in being unable to attend the open house held in Aidan’s memory, is finally ready to ask for professional help. Leilah and Aleisha are the only two people who truly understand the loss of Aidan; that they will embark on a healing journey together speaks to how close they’ve become.

The Difficult Process of Handling Grief

Despite their age difference, Mukesh and Aleisha both struggle with overwhelming grief. Mukesh’s story begins with loss, while Aleisha loses her brother toward the end of the novel; this backward parallel allows Mukesh to impart the lessons he’s learned as Aleisha navigates her own grief.

Early in the book, Mukesh is still in “that silent, lonely stage of grief where everyone but you [has] moved on” (13). He goes through the motions of normal life: He walks about his neighborhood, chats amiably with the grocer and with members of his mandir, and even talks with his daughters. But for him, “Naina is everywhere” (133). He wrestles with survivor’s guilt, unable to understand why, of the two of them, the vibrant, loving, charismatic Naina was the one to die. He grieves over the time they will no longer share and regrets how little he tried to connect with Naina while she was alive. His daughters have their own lives; no one but Mukesh feels Naina’s loss as keenly as he does, and for two years, he cannot break free of the weight of grief.

Meanwhile, Aleisha grieves the fragmentation of her family because of her father’s decision to pursue a new love and abandon the Thomases in the process. On the threshold of college, Aleisha realizes these summer days should be the culmination of a carefree adolescence. She grieves the adolescence she was never given the chance to live, as the responsibility of caring for Leilah fell to her. As with Mukesh, Aleisha feels as though she is not fully present in her own life.

Mukesh is the first one to discover the therapeutic properties of books. Aleisha offers him the reading list as a way to pass the time, but she does not know that Mukesh has already learned that books can help him honor Naina’s memory. Even without knowing Naina left the list, Mukesh sees traces of Naina in each story he reads. These moments, however, are freeing. They do not weigh him down with regrets and memories; instead, they help him feel remnants of Naina’s loving presence and show him that he is not living the life she would have wanted for him. This gives him the courage to break out of his lonely routine and begin to live again.

For Aleisha, books initially offer an escape from the stress of her current life. Books give her chances she lost in devoting her life to caring for her mother; they draw her into new, exciting worlds, and they open the door to friendships and romance. Slowly, these bonds help Aleisha heal from the grief of her broken family. Aidan’s sudden death threatens to shatter everything Aleisha has gained—but Mukesh steps in and shares the wisdom he has gained through his own journey with grief. He urges Aleisha not to abandon her newfound love of reading and teaches her how to utilize books in overcoming grief. Most importantly, he draws Aleisha into their greater community; it is Mukesh’s idea to hold an open house in Aidan’s honor, and he is the one who does the footwork and invites even non-readers, like they once were, to attend. Their friendship, more than anything, guides Mukesh and Aleisha through the difficult process of handling grief, and the novel promises that despite the loss of their loved ones, both Mukesh and Aleisha are on their way toward healing.

The Importance of Libraries and Bookshops

One of The Reading List’s most prominent messages can be summed up in the words of a Harrow Road Library staff member, who is amazed by the success of the open house: “The library isn’t just about books” (329). Over the course of the novel, protagonists Mukesh and Aleisha come to realize that libraries—and bookshops—are more than just shelves of books; they are spaces of connection and community.

This idea is first introduced in the Prologue. Aidan, overwhelmed by the stress of his life and struggling with mental health, turns to the library when he seeks a peaceful, comforting space. He remembers loving the library as a child, and he hopes that returning will bring him that old joy. Unfortunately, he cannot recreate the feeling. For her part, Aleisha initially disdains the library as little more than a run-down storage unit of books, frequented only by introverts and the elderly.

Over time, however, Aleisha comes to value the library and the connections she forms while working there. She meets Mukesh at the library and develops a powerful bond with him. The Interlude chapters also add credence to the value of libraries; multiple minor characters seek refuge at Harrow Road, like Chris, who seeks to ease his heartbreak, and Joseph, who wants to escape his school bullies. From the library’s monthly book club to the open house held in Aidan’s honor, Harrow Road is repeatedly shown to be a place that brings people together and eases their burdens, if only for a little while.

When Mukesh, inspired by the journeying hero of Life of Pi, decides to take his granddaughter to London, the two visit not some historic landmark or museum but a bookshop. Surrounded by tables and shelves packed with books, they both feel the wonder of the space: “It was as if [the books] were floating all around them, lifted up as if by some kind of magic, offering up new worlds, new experiences. It was beautiful” (187). Although Mukesh has been learning the magic of books throughout the novel, this is the first moment in which he truly grasps what it means to be a book lover. This experience helps him bond with Priya, as he sees, for the first time, what draws her to reading. This leads to their bonding experience at the bakery, when he tells her about his personal life and teaches her about himself. The bookshop enables Priya and Mukesh, through their shared awe, to finally start understanding one another.

Harrow Road Library and that quaint and shadowy bookshop in London both offer their patrons a place apart, a protective sanctuary from the pressing anxieties of the real world. That peace cannot be enjoyed in other contemporary public places: not in school, not in workplaces, and not in restaurants or shops. Both Mukesh and Aleisha find such environments oppressive, noisy, and gadget-forward. In the modern era, it is difficult to find a quiet, peaceful space, especially one that allows people to be alone together.

Libraries and bookshops provide that experience. Solitary patrons wander about the aisles lost in thought and the quiet debate of selection, but everyone around them is doing the same thing. People in libraries and bookshops are apart yet a part of a whole. Izzy, one of the library patrons to appear in the Interlude chapters, understands that feeling. New to fast-paced London and still without friends, Izzy finds in Harrow Road “a place just to be” (216). This foreshadows Mukesh and Priya’s experience in the bookshop and, later, the celebratory open house that brings together all of The Reading List’s once-lonely people into a single resilient community.

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