48 pages • 1 hour read
Casey McQuistonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The next morning, Fabrizio and Theo’s fellow tourists congratulate her for spending the night with Florian. In Saint-Jean-de-Luz, Theo and Kit laugh like old times as they admire the village’s beautiful sights, food, and citizenry. They sneak down to a private cove and share a meal of cheese and cherries. Theo recalls how her love and curiosity toward food began with the French recipes Kit’s mother cooked. As her and Kit’s palates expanded, they dreamed of opening a bistro named Fairflower. She also recalls how Kit came out as bisexual to her when he was 14 and how she did the same four years later. She suggests that they take off their outer clothes and swim in the ocean together. Kit is surprised because he’s normally the spontaneous one, but he agrees. Theo sees a quotation from J. R. R. Tolkien’s The Silmarillion tattooed on Kit’s shoulder: “surpasses all jewels” (105).
Theo and Kit meet a beautiful fishmonger named Paloma, and she invites them to join a group of her friends for a picnic dinner on the beach. Theo feels more at home in Saint-Jean-de-Luz than she has anywhere besides her valley in California, but this easy sense of peace vanishes when she sees Kit kissing Paloma. To distract herself from her memories of Kit, Theo kisses a lovely fruit seller named Juliette. However, Juliette observes the way she looks at Kit and tells her, “[Y]ou don’t have to do this if you love someone else” (115). Theo protests that she and Kit are just friends, but Juliette declines to sleep with her.
The tour group arrives in San Sebastian on the last day of Semana Grande, a festival marking the end of summer. Theo’s enjoyment of the city’s celebratory atmosphere and delectable pintxos is soured by her anger at Kit. She feels as though it was easy for him to move on from their relationship while she still wrestles with unresolved feelings. Theo and Kit befriend Birgitte and Lars, a married couple from Sweden, and share how they became friends in second grade after Theo fought Kit’s bullies. Lars advises them, “Take care of good love when you find it” (123).
Theo and Kit go on a boat ride together. The river becomes overcrowded, leaving them stuck in a cave. Theo takes this opportunity to discuss what happened at in London at Heathrow airport four years ago. All this time, Theo thought that Kit broke up with her because he walked away from her. However, unbeknownst to her, he came back. Kit thought that Theo broke up with him because she sent him a screenshot of her return ticket to California. In reality, she bought tickets for both of them and meant to send him his. Kit asks if they’re friends now, and Theo agrees that they are. Later that night, Theo realizes that she’s still in love with Kit and sleeps with a stranger to distract herself. Meanwhile, Kit leaves a bar with a group of potential partners.
The tour group goes on a chocolatería crawl in Barcelona because the city is credited with introducing chocolate to Europe. Theo forgets her phone at the hostel, so Kit takes notes for her and sketches the different foods they sample. A heat wave grips the city, and the air conditioner in Kit’s room at the hostel breaks, so Theo invites him to spend the night with her. They decide to share a bed and to sleep in their underwear so that neither of them has to sleep on the floor or become overheated by their proximity. Theo considers having sex with Kit but then hurriedly moves to her side of the bed and tells him good night. She dreams about having sex with Kit and awakens with her limbs wrapped around him. When she tries to extricate herself, they tumble over the side of the bed, startling Kit awake. He apologizes profusely for his aroused state, and she agrees to pretend that this never happened.
During a tour of Sagrada Familia, Kit joyfully shares his knowledge of the basilica’s art and history with Theo, and she turns away so he won’t see how “the terrible, undeniable, shattering fact of his goodness” brings tears to her eyes (157). Theo and Kit visit Bar Marsella and play a game called “On the Fly” in which they take turns inventing pastries and cocktails. Each new idea must incorporate an ingredient from the one that came before it. Theo suggests a recipe for a Cable Car, which reminds her of the night Kit told her that he’d marry her if she wanted. Kit tells Theo that he is no longer on speaking terms with his father, who ghostwrites for famous novelists. After his wife’s death, Craig Fairfield secluded himself in his office, claiming that he was working on an important manuscript. Six months ago, Kit discovered that this was just a lie he invented to excuse his absence from his children.
Kit invites Santiago, a chocolatier from the tour that morning, to join them at the bar. Santiago brings along his neighbor, Caterina, who is a painter. While Theo has sex with Caterina, she hears Kit and Santiago having sex across the street. She thinks about intimate memories with Kit instead of the woman she is with in the present and then hurries back to the hostel. Theo tells Sloane that she’s falling for Kit again, and her sister replies, “Would that be such a bad thing?” (166).
As Theo watches Kit stroll through a lavender field in Provence, she admits to herself that she never pursued a serious relationship after their breakup because she doubted anyone could replace him. She wonders if he could ever love her again. Kit invites Theo to accompany him to Nice, where a friend of his from pastry school named Apolline has opened a bakery. Apolline’s staff is out sick, so Theo and Kit volunteer to prepare all of the pastries for the afternoon rush. As she and Kit work in perfect sync, Theo hopes that they could still open a restaurant together some day. After the bakery closes for the day, Theo walks in on Apolline kissing Kit, apologizes, and hurries away.
Theo climbs Castle Hill and calls Sloane. During their conversation, Theo receives an email informing her that she has lost her freelance mobile bar’s biggest client. Sloane offers to invest in Theo’s business, but Theo declines because she doesn’t want to rely on her family. The sisters have a fight when Sloane feels that Theo attributes her success to nepotism. Before Sloane hangs up, she tells Theo, “You get in your own way” (181), which is the same thing that Kit said when they fought in London years ago. To cope with her feelings of failure, she goes to a bar and seduces a man who resembles Kit.
After the tour group enjoys a four-course champagne brunch in Monaco, Theo raises the subject of her competition with Kit. She believes the score is six to five, but he says that the score is six to four because he didn’t sleep with Apolline. He assures Theo that he doesn’t have any feelings for his former classmate, but Theo protests that she doesn’t care. She feels a reckless desire to be “one more renegade nepo baby in Monaco” (185), and she uses her status as a Flowerday to score her and Kit invitations to a yacht party.
The yacht’s owner, Émile, invites Theo and Kit to the private deck for a ménage à trois. At Émile’s request, Kit demonstrates how Theo likes to receive oral sex on a peach. Émile leaves to attend to his duties as a host, promising to return. Theo thinks that Kit is above the lust and confusion that she is mired in. She swipes a bottle of Dom Perignon and rushes off the yacht. Kit follows her, and they share the bottle of champagne as they dash through the streets of Monaco. Kit kisses Theo in an alley.
In keeping with the conventions of romance novels, Theo and Kit struggle with communication and shared proximity in the novel’s second section. Misunderstandings are a standard stumbling block for couples in romantic comedies as well as classical literary romances, such as William Shakespeare’s Romeo and Juliet and Jane Austen’s Pride and Prejudice. Theo and Kit’s breakup fits this pattern because each believes that the other broke up with them by leaving them at the airport. McQuiston humorously lampshades the convention when Theo calls the situations that led to their separation “a dumb fucking series of events” (130). The realization that their breakup was a misunderstanding allows Theo and Kit’s relationship to heal in these chapters, and the author utilizes romantic tropes to show that the main characters are destined to be more than friends. For example, Theo and Kit must share a bed in Chapter 8 in a popular iteration of the forced proximity trope: “We look at the bed. Again, there is an unthinkable solution, and there’s me, and there’s Kit, and I still don’t have it in me to do what I ought” (150). This scene escalates the physical proximity the protagonists already experience by being on the same tour, reinforcing their increasing emotional closeness.
The evolution of Theo’s relationship with Kit impacts Theo’s path in the novel, highlighting The Journey Toward Self-Acceptance. In a positive light, Theo feels that healing her friendship with Kit restores pieces of herself: “And that whole me—the Theo of Theo-and-Kit—I like them. They have the best jokes, the most nerve, the biggest ideas” (170). However, the realization that she still loves Kit in Chapter 8 is quickly followed by setbacks in her self-love because she believes her feelings are unrequited. After the conversation with Sloane in Chapter 9, Theo chooses self-sabotage over self-acceptance because she feels like a failure in her professional and personal lives and thinks that everyone else views her the same way: “If I’m ruining my life, there are more pleasurable ways to do it” (181). This passage points out one of the drawbacks to The Pursuit of Pleasure, the potential for it to become a distraction from problems that need to be addressed. Theo’s self-recrimination at the end of Chapter 9 represents a backslide from the confidence she feels while working at Apolline’s bakery with Kit. This shows that the journey to self-acceptance is a nonlinear process.
Theo and Kit’s growing feelings for one another complicate their pursuit of pleasure. Theo’s encounter with Caterina makes her confront longings that physical pleasures cannot satisfy: “In the quiet after, I’m left with the part of the memory that tipped me over [...] It was in between, when [Kit] told me how much he loved me. That’s exactly what I was afraid it would be” (166). This scene demonstrates that the hookup competition is no longer fulfilling its intended purpose as a distraction from Theo’s feelings for Kit. Food and sex are two key aspects of the pursuit of pleasure, and they intertwine in the yacht scene in Chapter 10: “Émile and I both watch with rapt attention as Kit laps at the peach’s livid center. His hesitance is gone, absolutely no shame in the way he laves and sucks, only a familiar, voracious enthusiasm. Juice runs down his chin” (195). Theo’s entrancement with Kit’s “pretty show” exceeds her interest in the many opulent pleasures available on the yacht (195), illustrating her struggle with concealing her deepening feelings for him. In addition, Kit’s amorous display calls to mind the famous peach scene in André Aciman’s Call Me By Your Name, and this allusion reinforces McQuiston’s celebration of queer romance and sensuality.
Protecting their fragile, newly restored friendship remains a primary objective for the main characters in this section, and this makes them reluctant to take a second chance on love. However, this reticence doesn’t stop the characters from experiencing moments of discovery and passion that advance the theme. In Chapter 8, McQuiston uses first-person narration to capture Theo’s realization that she’s still in love with Kit: “I turn away so he won’t see me blink the sudden wetness from my eyes. I left that room in Bordeaux specifically to avoid this: the terrible, undeniable, shattering fact of his goodness” (157). Although she is not ready to share these thoughts and feelings with Kit, this scene represents an important step forward for their relationship. Theo is letting go of the pompous, treacherous image she created of Kit after their breakup and allowing herself to be moved by him. Another important moment for the theme of Second Chances in Love occurs at the end of Chapter 10: “I love him. I don’t want to, but I do. He touches my face like he did before, his fingertips soft on my cheek. And he kisses me” (197). Kisses serve as a motif for the theme of second chances in love, and this kiss carries particular significance because it is Theo and Kit’s first since being reunited. McQuiston ends the chapter on a cliffhanger rather than immediately revealing if this impulsive moment of passion represents a major step forward or a step back for the couple.
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By Casey McQuiston