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67 pages 2 hours read

Meg Shaffer

The Lost Story: A Novel

Meg ShafferFiction | Novel | Adult | Published in 2024

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Chapters 17-24Chapter Summaries & Analyses

Chapter 17 Summary

Skya returned Jeremy to the real world with a gift for finding lost things and people, hoping that he could use it to find Emilie. However, Skya warned Jeremy that he would find the princess only when she wanted to be found, which could take decades. Jeremy’s mother moved them to Kingham, Oxfordshire, for a change of scene. Jeremy and Rafe were separated. Jeremy went on to read English at Magdalen College, Oxford, as a “private joke” with the universe since Magdalen was the seat of C. S. Lewis, who created Narnia, a magical kingdom like Shanandoah (214). 

When a tutor’s three-year-old daughter went missing, Jeremy used his gift to locate her. Jeremy’s rescue of the little girl attracted media attention, and he became known as the lost boy who found a lost girl. Thus began Jeremy’s career as a search and rescue expert. Jeremy dated wonderful women, such as Chi, a physicist from Lagos with whom he discussed the possibility of lost universes, but his heart belonged to Rafe.

Jeremy’s mother sensed that he was lying about his time in the woods but kept up a façade of polite distance. Once, shortly after their move to the UK, she heard Jeremy play Ludovico Eunadi’s “Primavera” flawlessly on the piano. Jeremy can still recall the dismayed look on her face: She knew that no one could play so complex a piece after a gap of six months. Jeremy must have had practice, wherever he had been. 

Over the years, Jeremy missed Rafe and Shanandoah terribly. In Shanandoah, he and Rafe had revealed their love for each other. Jeremy remembers one particular game during which this had become obvious. Rafe had lured a mermaid to the surface of the water, and she’d told him the secret that someone on the boat was in love with him. By process of elimination, this was found to be Jeremy. Jeremy can never forget Rafe’s wide smile when he learned this. 

Skya had shared secrets with them, too, such as why her sister went away. Skya loved the baby, but their mother soon left Skya and the baby with an aunt. Unable to handle two children, the aunt put little Emilie up for adoption. Trading such deep secrets, Jeremy, Skya, and Rafe became the closest of friends. 

Back in the real world, Jeremy made up a 10-point survival guide for living without Shanandoah and everything it represented. The tips included learning how to lie and to never forget that the price of magic may be high but is always worth paying.

Chapter 18 Summary

Rafe and Jeremy notice that Emilie is missing. Jeremy tries to picture Emilie’s location, but she is hidden from his sight. As they frantically search for Emilie, a group of armed Valkyries riding horses surrounds them, demanding to know their identity. Rafe has no idea who the women are, though Jeremy knows them by name. He asks Tempest, the leader of the group, if she cannot recognize him. Tempest says that she needs to be sure, as the Bright Boys often come disguised as friends. 

To test Jeremy, Tempest asks him to disarm her. Jeremy used to be a prodigious swordsman in Shanandoah. Jeremy and Tempest spar, Jeremy wins, and he and Tempest reunite. Tempest asks the Valkyries to dismount. The women surround Rafe and bow to him, calling him “your highness” (241). Jeremy tells a dumbfounded Rafe that he forgot to mention the little fact that Rafe is a prince of Shanandoah.

Interlude 10 Summary: “Storyteller’s Corner: Introductions”

The storyteller introduces the seven Valkyries, the queen’s guard. Apart from Tempest, who is Black and wears red leather gauntlets, the cavalry also consists of tall, glowering Torra; redheaded and fiery Ember; pale Winter; brown-skinned and tattooed Gale; and the olive-hued, quiet twins, Rebel and River.

Chapter 19 Summary

Rafe asks Jeremy if he, too, is a prince, but Jeremy informs him that he is a mere knight of Shanandoah. Jeremy and Rafe tell Tempest that Emilie, Queen Skya’s sister, seems to have been kidnapped. Tempest tells Jeremy that Emilie is safe; Skya has asked them to leave Emilie to her. Rafe and Jeremy are to proceed with the Valkyries to the palace. 

To Rafe, riding through the forest and then a village seems akin to traveling through a beautiful picture book. In the village, a crowd surrounds Rafe and Jeremy, calling them “your highness” and “Sir Jay,” respectively, marveling at their return (251). The riders trot on, with Rafe trailing a little behind the rest as he takes in the enchanting scenery. 

A gray, smoky cloud appears in front of him and turns into a boy-like shape, dressed in gray rags. The Bright Boy has a message for Rafe from his king in a place called Ghost Town. Rafe must visit the king if he wants Jeremy to survive. The Bright Boy vanishes in smoke.

Chapter 20 Summary

Emilie wakes up near a blue river, and a woman with braided, blond hair brings her nuts and berries to eat. Although the woman is 33 years old, unlike the teenager from the photo that Emilie has of her, Emilie can see that this is her sister, Shannon, now Skya. Skya tells Emilie that she had to secretly put her to sleep and take her away because two Bright Boys were seconds from jumping her. Skya has fashioned her name from her initials—Shannon Katherine Yates—and borrowed Shanandoah’s after Shenandoah, the great river of West Virginia. Shenandoah is an Indigenous word for “daughter of the stars” (259).

Skya tells Emilie about the fateful day when she was kidnapped after getting off her school bus. Skya managed to escape from the trunk of the kidnapper’s car. Grabbing the backpack that contained the long story she was writing, Skya ran into Red Crow Forest, with the kidnapper chasing her. Just as he was about to grab her, a red crow attacked him, and he fell down the hill. The red crow led Skya to Shanandoah. At first, Skya thought that the kidnapper had killed her and she’d reached heaven, but then she realized she was alive. Most girls who are kidnapped by a sex offender end up traumatized or dead, but Skya always thought that after their ordeal ended, they should at least have a palace. Now she had a palace that looked like a castle.

However, Skya says that the rest of the story will have to wait. She has a bigger battle to fight. A few days ago, a Bright Boy called Ripper stole Rafe’s sketchbook from her palace. Skya fears that the Bright Boys are acting under the direction of a dangerous newcomer in Ghost Town. Skya’s plan is to put Emilie on a ship in the middle of the Painted Sea, since Bright Boys hate the water, and then go to Ghost Town to fight the enemy. If something happens to Skya, Emilie must become the queen of Shanandoah. Skya would ask Rafe, a prince, to succeed her, but the rules of Shanandoah state that there can never be a king here, only queens. Emilie is sad that she will be separated from Skya after just finding her, but Skya tells her to be patient. She gives Emilie the affectionate nickname “brat” (266).

Chapter 21 Summary

At Skya’s palace, Winter reveals to Jeremy and Rafe that the book of memories has been stolen by a Bright Boy. Rafe tells Winter that a Bright Boy demanded that he meet a king in Ghost Town. Winter cautions Rafe against this, as the king is a deadly foe who has defeated Rafe before. Skya’s orders are that she alone will face the foe; the Valkyries cannot accompany her since Ghost Town is poison to their essence, made of light. 

Winter asks Rafe and Jeremy to rest and wait for Skya. She is glad that they are back, as she missed their stories about the man who was a bat and also fought crime. After Winter leaves, Jeremy tells Rafe why he cannot find Emilie. Skya had told him that he would only be able to find Emilie if she wanted to be found. This means that, right now, she is in a place where she does not feel lost.

Chapter 22 Summary

Jeremy shows Rafe the palace, which is indeed built like a medieval castle and has charming details like a throne room with torches that only light up when royalty enters. Rafe can see his paintings and murals everywhere: Jeremy tells him that Skya commissioned the works from him. He also shows Rafe proof that he has shot a spider, the one of the two times in his life when he made an impossible shot. Once, the Bright Boys placed a deadly red sleeper spider on the wall behind Skya as she sat on the throne, with the spider inching closer to her head every second. If Skya got up, the spider—triggered by movement—would strike her like lightning. 

Rafe was at the other end of the throne room. He asked Aurora, the red crow, for two pinion feathers so that he could fletch an arrow. Then, he shot the arrow across the vast chambers and shot the spider in the head. The arrow is still embedded in the wall as a testament of his skill, with the spider’s eight red legs around it. This is when Skya decided to make Rafe prince of Shanandoah. For saving Skya, Aurora gave Rafe dominion over birds. The robin in his cabin became better because Rafe asked it to heal.

Overwhelmed by the story, Rafe has a realization. He tells Jeremy that he cannot let his queen face the enemy in Ghost Town by herself. Jeremy tells Rafe that he will accompany him, being a knight sworn to protect Rafe. Rafe wonders who protects Jeremy, but just as Jeremy is about to reply, a bell begins to toll.

Interlude 11 Summary: “Storyteller’s Corner: Lost Words”

Had the bell not interrupted Jeremy, he would have told Rafe that Rafe protected him every day by being in love with him, just as Jeremy was, and is, in love with Rafe.

Chapter 23 Summary

Rafe and Jeremy find their horses at the stables. Even though he cannot remember him, Rafe can instantly tell that a palomino called Sonny of a Gunny is his horse. Jeremy’s steed is the copper-hued Reddy Freddy. Jeremy tells Rafe that their horses are gifts from Skya, Shanandoah mountain chargers who are longer lived and faster than any horse in the real world.

Interlude 12 Summary: “Storyteller’s Corner: Skipping Ahead”

The storyteller skips to the next morning.

Chapter 24 Summary

Sunrise in Shanandoah is purple, blue, and pink and accompanied by the music of wind chimes and birdsong. Skya tells Emilie that the dawn never gets old, no matter how much she watches it. She asks Emilie to mount her charger, Morgan, and they ride away from the river valley. Soon, Emilie can smell the salt in the air, suggesting that the Painted Sea is close. Emilie marvels at the sea when they finally get there: The shore is rainbow colored, the water of the sea is clear as a window, and a Viking dragon boat ship waits at the end of a dock.

As Skya prepares to say goodbye, Emilie blurts that she is not sure she can run a kingdom. Skya commiserates: In case Emilie wants to leave, she can ask the captain to take her to the farthest shore, disembark, and follow a cobbled path to a door in a desert. Beyond the door is the real world. This is the way that Rafe and Jeremy took out of Shanandoah. Skya tells Emilie something special: In the month when baby Emilie stayed with Skya, Emilie used to cry a lot, so Skya would soothe her by playing “Landslide” by Stevie Nicks. Emile realizes that her love for Stevie Nicks is a gift from Skya. They hug, and Emilie boards the ship, but as the ship travels away from Skya, Emilie changes her mind and jumps into the water. She swims to a shocked Skya and tells her that she will not leave her sister. Just then, Aurora flies in with the news that Rafe and Jeremy are on their way to Ghost Town. Skya must hurry back.

Chapters 17-24 Analysis

Chapter 17 answers the important question that Rafe posed to Jeremy at the end of Chapter 16, regarding how Jeremy survived after having had a taste of beautiful Shanandoah, which draws on the theme of Reconciling a Magical Past With Present Reality. Rafe’s real question, of course, is how Jeremy stayed locked in the real world despite remembering every vivid detail of Skya’s magical kingdom. Rafe’s lack of memories has traumatized him, but it also insulated him from grief over Shanandoah. Jeremy’s survival in the real world was far harder because he remembered not just Skya and her land but also the love that he and Rafe shared. 

By showing the reader Jeremy’s backstory, Shaffer explores what happens when magic ends. Shanandoah is analogous to childhood or any other transportive experience. After leaving the magical world, Jeremy had to grow up and live in a mundane reality. Despite the constant hankering for Shanandoah, Jeremy survived because he hoped to return with Rafe and Emilie one day. Another important way that he coped was by using his magical gift for finding lost people and objects to help others. Once Jeremy began his career as a search-and-rescue expert, he found the loss of Shanandoah and Rafe’s memories a little easier to manage. This suggests that the only way to move forward is to accept one’s reality and make the best of it.

The rest of this section is critical in terms of world building, as shown by Rafe’s journey to Skya’s palace. Shanandoah is a world inspired by Skya’s joyous, wise, and childlike imagination, which is reflected in its every aspect. For instance, Rafe notes that the village folk are dressed like characters in old books but belong to all races. This implies that Skya has combined her own contemporary, racially diverse reality with the literature and art that inspired her. Furthermore, her open-minded view does not discriminate between races. 

Shaffer deliberately places Emilie and Rafe as stand-ins for the reader so that the reader can see Shanandoah through their discoverer’s eyes. Emilie is enchanted by the music that accompanies sunrises in the valley and the Painted Sea with water so clear “she c[an] see through it like a window” (293). Color imagery is especially emphasized, with the shore of the Painted Sea being swirled with blue, green, and purple and Rafe and Jeremy having horses that match their golden and red hair, respectively.

In Chapter 12, Jeremy told Rafe that he once shot a spider—the perfect shot—at a time that he doesn’t remember, reflecting The Complexities of Memory and Forgetting. Now, he shows Rafe the proof, in the form of the literal spider he killed with his arrow to save Skya’s life. The spider is an example of plotting, a narrative technique that knits together plot points: Jeremy’s assertion in Chapter 12 that Rafe would hit the spider again foreshadowed that this plot point would reappear in the text. 

Reunions are an important element in this section, with Jeremy reuniting with the Valkyries and Rafe beginning to integrate with his memories. However, the most significant reunion is that of Emilie and Skya. Skya’s decision to place Emilie on a safe ship and Emilie’s decision to swim back to Skya both illustrate the deep love that the sisters have for each other. Love motivates key decisions in this chapter, such as Emilie’s jump into the sea and Rafe’s decision to head to Ghost Town so that Skya does not fight the terrible foe alone. These decisions illustrate the novel’s interest in the power of love.

Emilie and Skya’s conversation about Skya’s escape illustrates the text’s subtler theme about violence against girls and women in the real world. This theme runs in the novel’s backdrop from the beginning, with Jeremy noting that he has rescued several women and 14 corpses. Despite the text being a feel-good fantasy, it never shies away from the bitter truths of the real world. Skya acknowledges to Emilie that many girls in her position end up dead, injured, or traumatized. Even if they survive and their kidnapper is caught, the girls have to cope with their experience. Skya’s statement emphasizes the unfairness of the world. She always felt that survivors deserve a lot better, and perhaps that is why when she magically survived, the world she’d created came to life. That magic is what rescued Skya from her predicament is another nod to the real world’s grim reality.

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By Meg Shaffer