53 pages • 1 hour read
Yomi AdegokeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section mentions sexual assault, anti-gay bias, suicide, and a panic attack.
After a painful bikini wax, Ola reflects on the sex that she has had with Michael and wonders what the consensual bites and bruises say about them both. She has a Skype conversation with her half-sister, Fola. The two women look like identical twins. They have the same father but different mothers, and when their father died in 2002, they met for the first time. Their story links to the sitcom Sister, Sister, which features identical teen twin sisters who were separated at birth.
Now, Ola confides in Fola about Michael. Ola feels “dumb” and believes that she loves Michael “too much.” Fola refutes this claim and emphasizes that Ola is human and that love tends to disrupt a person’s “faculties.” Fola promises to support Ola whatever her choice might be, but she urges Ola to make a choice.
The famous former soccer player and current TV personality Lewis Hale texts Michael, and they meet at Lewis’s luxurious house and discuss The List. Michael tells him about Jackie, and Lewis says that newspapers regularly gossiped about his sex life before the advent of social media. Lewis blames “fake news” on mainstream media outlets that routinely publish articles sourced from social media. The accusations against Lewis include abuse and anti-gay behavior. Lewis denies abusive conduct but admits that he has used anti-gay language.
Lewis is gay but has declined to disclose this fact publicly. For 17 years, he has been married to a religious woman, and they have children together. Lewis has had a serious relationship with another man, Cris, who broke up with Lewis because he wouldn’t leave his wife. Cris has a sister with a drug addiction, and Lewis claims that she put him on The List because he wouldn’t give her £100,000. Lewis’s family has strong anti-gay biases, and the example of the gay soccer player who died by suicide in 1998, Justin Fashanu, keeps Lewis from publicizing his sexual orientation.
Using the spare key hidden under Michael’s plant outside his home, Ola sneaks into Michael’s house. Because she knows his password, she easily logs into his laptop and searches his email for mentions of harassment, restraining orders, and Christmas parties. She does not find any matches. Michael’s browser history includes searches for beard oils and gift baskets for her. She discovers All Tea, No Crumpet and reads the negative comments about her. Upset, Ola closes the laptop. When she opens it again, she sees a message from @mirrorissa92, who tells Michael, “Because I can, Mikey x” (257).
Ola shuts the laptop again and takes an Uber to the wedding rehearsal, where she confronts Michael in the church office. As she is telling him about @mirrorissa92 and her meeting with the creator of The List, her phone rings. Michael grabs it. He thinks that she is cheating on him with Luke and wonders why Luke has images of his DBS, his Instagram, and him eating lunch. Ola explains, and Luke quits because he cannot find evidence against Michael. However, Ola still suspects Michael of wrongdoing, reasoning that she cannot produce evidence for every time a man has sexually harassed her.
Lewis wants to release a joint statement with Michael and then make donations to four charities. Michael fears that Lewis’s involvement will only attract more attention, but Lewis argues that ignoring the accusations will not make them vanish.
Before the wedding ceremony, Michael reflects on the rehearsal. He feels that Ola came after him with “guns blazing,” and he compares his life to a daytime talk show. At the wedding, Celie won’t look at Michael, and Amani reads passages from the Bible about the responsibilities of love. Michael says, “I do,” and so does Ola.
Ola tries to enjoy her wedding day. Ruth and Celie joke about their different breast sizes, and Ruth expresses interest in Kwabz. Ruth plays Papi Danks’s music, upsetting Celie, who tells Ola that she will stay away from Michael. Celie has been distancing herself from Ola, and her publisher won the right to publish Dot Dot Dot, a collection of essays by writers with freckles. Ola feels that Amani read the Bible passages about love as a way to “troll” her. She says, “I do,” and hopes that the words themselves will invigorate her, but as the confetti falls, she remains discontented, worrying that she has married “a monster.”
The wedding reception takes place in a park. Over 400 people attend to enjoy the large cake, and there is also a place for people to take pictures with #TheKorantengs19. The DJ summons Ola and Michael to the dance floor, and Ola feels like she is on a “death march.” Ola has multiple wardrobe changes, and Celie leaves early with a headache. Frankie shows up uninvited, and Kiran has to “babysit her.” This duty prevents Kiran from flirting with other women.
Ola and Michael saved money on their wedding by partnering with various brands, but neither can promote the wedding on their social media accounts. Michael realizes that social media attention gave him self-worth, and he wonders if a wedding matters without a “viral post.” Meanwhile, Frankie gushes over Michael and Ola until Michael pulls Ola away. For a moment, Ola and Michael are on the “same team” again, and they playfully make fun of their guests and friends. Before the speeches start, Frankie runs over to Ola to alert her that #TheKorantengs19 now features endless posts that pair Ola and Michael’s engagement photos with text that labels Michael an “abuser” and Ola an “apologist.” The posts suddenly appear on the 120-inch projector screen at the reception, causing Ola to vomit and have a panic attack.
The Skype interaction between Fola and Ola adds further layers to The Real-World Impact of Online Activity. In this vulnerable moment, Ola needs Fola “to […] take control of what was entirely out of control. To occupy the space in reality that Ola had long vacated” (223-24). Ironically, however, Ola has not left reality; on the contrary, because her world has spun out of control, a sense of disorder has become her primary reality, and it is for this reason that she wants Fola to “hear her scattered thoughts” and provide her with much-needed emotional stability (224). Simply put, Ola wants Fola to confirm her version of reality and refute the barrage of negative messages from the ongoing social media storm. Because Fola is a teacher rather than an online content creator, her career is not dependent on the goodwill of the volatile social media scene. Thus, she meets Ola’s internalized chaos with a dose of calm and control, and she tries to transfer this sense of equanimity to Ola, but as the narrative implies, one person cannot bestow their reality onto someone else. Thus, Ola’s world will remain hectic until she finds the means to rectify her own issues.
These chapters of the novel also delve more deeply into the issue of Justice and the #MeToo Movement. A common criticism of the #MeToo movement is that it consists of women who are predominantly white and straight. Originally, Tarana Burke began the movement in 2006 to help young women of color discuss sexual trauma, but when the movement gained prominence in 2017, most stories centered on white women in affluent spaces such as the movie industry. In The List, Adegoke retains the media-focused context of the movement but directs the spotlight to Black women and men, thereby creating a greater sense of equality and giving Black women in the media the same kind of attention that white women have claimed. This shift in focus also makes Black men just as liable as white men. By turning Michael into an alleged predator, Adegoke exposes the fact that seemingly progressive norms can often tokenize Black men, reducing their presence to a symbol of diversity or anti-racism. By contrast, Adegoke’s narrative stresses that Black men are human and that they therefore have flaws like any other person.
Like the rest of the novel, the wedding itself features many examples of the Blurred Boundaries Between Personal Lives, Work, and Activism. Most prominently, Ola and Michael defray some of their wedding costs by partnering with brands, thereby turning a monumental life event into a complex and expensive commercial and using their public personas to help finance a private moment that is, by definition, no longer private. However, because Ola’s job involves activism, Michael’s presence on The List jeopardizes her feminist brand. As a result, they can no longer promote the various brands on social media due to the potential backlash. Their sudden and inadequate attempt to separate their personal lives from their careers and activist endeavors therefore fails utterly as people on the internet conduct a “hashtag takeover” and post countless photos of Ola and Michael featuring the following:
Significantly, the “hashtag takeover” explicitly melds careers and personal lives with activism, and the widespread public scorn for Michael and Ola centers on their visible careers, their public relationship, and Ola’s determination to speak out against the actions of abusive men. Because Ola and Michael have put themselves on a pedestal, the resulting media backlash from The List inundates them with public shame and irreparably tarnishes their carefully curated public images.
As an extension of this dynamic, the wedding reception scene emphasizes The Real-World Impact of Online Activity, cementing the status of The List as a symbol of ruin, as Michael’s appearance on The List leads to the “hashtag takeover” that destroys the wedding. As Ola and Michael project their online images into the physical world, they yield control of their personas to their critics. As the narrative states, “A horrified crowd formed around the projector in the hall as the images from the hashtag began dominating the feed on the 120-inch screen” (315). Michael and Ola could have opted not to use the hashtag or project its associated images at their wedding, but in this ignominious moment, the projector reflects their reality. Their offline world is now inseparable from online developments, and the resulting chaos leaves their lives and reputations in tatters.
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