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J. R. R. TolkienA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
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Frodo, Sam, Merry, and Pippin cross out of the High Hay on their ponies and traverse the Old Forest. Merry tells his companions stories about the haunted forest and the trees’ ability to move and trap strangers who trespass. Hobbits long ago cut down the edge of the forest to maintain the Hedge, and ever since, the trees have become “very unfriendly” (108).
Merry guides the group but is unable to find the path to lead them to the other side and onto the East Road. The stifling air and shifting trees disorient the hobbits, and they succumb to a heavy drowsiness. Everyone but Sam succumbs to this sleeping spell, and he wakes Frodo as he is being dragged into the river by tree roots. As Old Man Willow—an evil spirit in the form of an old willow tree—swallows Pippin whole and half-engulfs Merry, Sam and Frodo light a fire on the other side of the tree but are unsuccessful at rescuing them.
Suddenly, they hear someone “singing nonsense” (116), and there appears a curious spirit dressed in blue with yellow boots and a blue feather in his hat. It is Tom Bombadil, larger than a hobbit but smaller than a man, and when he sings a reprimanding song to Old Man Willow, the tree spits out the hobbits. Tom invites them to his house, and the hobbits follow his trail in an awestruck stupor.
Along with the maiden Goldberry, the River-daughter spirit, Tom Bombadil feeds and shelters the hobbits. Goldberry introduces Tom as “the Master of wood, water, and hill” (122), and Tom explains that Gildor asked him to watch over the hobbits’ journey. In the presence of Tom, the hobbits find themselves “singing merrily, as if it was easier and more natural than talking” (123). They eat sumptuous meals, sleep in luxurious beds, and the sense of time dissipates. As they fall asleep, Frodo, Pippin, and Merry have nightmares of Black Riders, laughing trees, and drowning, respectively. Each one awakes startled, but they are comforted by the safety of Tom’s abode and fall peacefully back to sleep. Only Sam sleeps through the entire evening without any nightmares.
The next day, as the hobbits rest in Tom’s house, Tom sings the tales of the Old Forest’s ancient history, of Old Man Willow’s wisdom and malice, and of the coming and passing of Men and their kingdoms, memorialized in the haunted burial mounds of the Barrow-downs. He sings tales “about the evil things and good things, things friendly and things unfriendly, cruel things and kind things” (127). His narratives puzzle the hobbits, and Frodo eventually cannot tell how many days they’ve stayed with Tom. When Frodo asks who he is, Tom responds, “Eldest, that’s what I am. […] Tom was here before the river and trees; […] When the Elves passed westward, Tom was here already, […] before the Dark Lord came from Outside” (129). Even further startling is when Tom asks to see the Ring, and the hobbits witness that it holds no power over him: Tom does not disappear when he wears it, and when Frodo puts on the Ring, Tom can see him.
On the eve of the hobbits’ departure, Tom advises them on how to reach the East Road and teaches them a song to chant should they ever need his help.
The replenished and invigorated hobbits begin their trek past the Barrow-downs, the area of burial mounds east of the forest, skirting its edges to avoid any encounters with the barrow-wights, evil spirits that haunt the graves. Under the heat and heavy air, the hobbits rest by a standing stone that remains cool despite the noon sun and fall under a sleeping spell. When they awake, a fog surrounds them, and Frodo loses his bearings and becomes separated from the group. He passes between two cairns, and a barrow-wight captures him. He loses consciousness.
Frodo awakens supine on a cold stone, and Sam, Merry, and Pippin lay unconscious on adjacent stones with a long sword across their necks. Their bodies are adorned with the robes, gold belts, and crowns of the dead, and they are surrounded by the weapons of past kings. Frodo fights the urge to abandon his friends and wear the Ring, and he quickly builds up his courage. As the wights sing an incantation and a spectral hand reaches for Sam, Frodo strikes at the hand with a sword and, recalling Tom’s song, begins to sing it. Tom arrives and sings a song that banishes the wight. He tells the hobbits to cast off the ornaments of the dead and “run naked on the grass” (140) as he retrieves their ponies and supplies. Tom gives the hobbits four daggers from the mound, informing them that the weapons were forged by the Men of Westernesse in their ancient battle against the Dark Lord and will protect them. To assure their safety, he accompanies them as far as the East Road and returns home to Goldberry.
Tolkien scholars have long puzzled over the identity and function of Tom Bombadil. In a 1954 letter, Tolkien himself acknowledged that “even in a mythical Age there must be some enigmas, as there always are. Tom Bombadil is one (intentionally)” (“Letter 144.” The Letters of J. R. R. Tolkien. HarperCollins, 2012). Tom is a primordial spirit of the elements and precedes all the beings of Middle-earth. He exists possibly before the events of the First Age chronicled in Tolkien’s The Silmarillion. Readers have interpreted him variously as an Ainur (one of the primordial spirits delegated to creating the world), Father Time or Father Nature, the creation song of the Ainur personified, or Tolkien himself. One of Tom’s striking qualities is that he is completely unaffected by the Ring; neither does he turn invisible upon wearing it nor do those who wear the Ring appear invisible to him. Other than giving the hobbits special blades (which Merry will eventually wield against the leader of the Ringwraiths in The Return of the King), Tom transcends the main plot of The Lord of the Rings, suggesting that the present battle against Sauron is but one iteration of humanity’s eternal struggle with right and wrong. He existed before the Dark Lord and has witnessed both good and evil even in natural entities like Old Man Willow. His tales of “evil things and good things, things friendly and things unfriendly” (127) suggest that the world is composed of these two elements in varying degrees. Rather than the possibility of the total elimination of one or the other, Tom’s tales invoke the existence of balance. One of his modes of resisting evil is to communicate and perform his rescues through song, an art that honors oral traditions and myth-making, which all of Tolkien’s characters on the side of good practice; Tolkien himself was an esteemed scholar and translator of epic poetry.
Despite his vague origins, Tom is an intriguing figure who elucidates Sam’s unique relationship with nature and his crucial role as Frodo’s protector. Tom resides in the Old Forest and lives safely among the ancient trees and neighboring barrow-wights. He is “master” to the elements of wood, water, and soil and possesses the gift of banishing harm through song. The hobbits duly follow his advice to “run naked in the grass” (140), and they experience a joy and freedom reminiscent of pagan spirituality. Like Tom, Sam is most strongly associated with nature and songs. He is a gardener by trade, like his father before him, and relishes the ancient songs, particularly of the Elves. In the attack by Old Man Willow, only Sam does not succumb to the sleeping spell. He is also the only one who does not have a nightmare at Tom’s house, revealing that his intimacy with nature accords him a power of great significance. Sam becomes Frodo’s most trustworthy companion, and though not as invincible as Tom, he will later bear the Ring’s weight with remarkable resistance to its corrupting powers; this will happen in The Return of the King. Nature and songs are counterpoints to evil, and Sam’s eventual heroism lies in his strong foundation in both.
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By J. R. R. Tolkien