53 pages • 1 hour read
Jordan IfuekoA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The newly anointed members of the Prince’s council have gathered in the city of Ebujo, where they will receive their official titles from the Emperor’s Council. Each member of the Emperor’s Council chooses one of the Prince’s council to inherit their position within the empire and to receive training and education for this role. Ebujo also contains a temple with a gaping pit called the Breech; this chasm leads to the Underworld. While in Ebujo, the Prince will participate in a preliminary ceremony in advance of the Treaty Renewal that will occur in several months. The Treaty Renewal renews the agreement between all Arit lands, as well as Songland, reaffirming the arrangement that requires Redemptor children to be sent through the Breech to appease the abiku of the Underworld.
After rescuing Dayo from the fire at the Children’s Palace, Tarisai has retained almost no memories of her previous life in Swana. She receives three visitors while in Ebujo, two of whom (Kathleen and Woo In) she almost seems to recognize. Kathleen and Woo In have brought along a young Redemptor girl, Ye Eun. They do not reveal themselves to Tarisai, but Woo-In gives her a storytelling drum that once belonged to the empress Aiyetoro. Ye Eun greets Tarisai happily and says that Tarisai will save her and all the other Redemptors.
Before the ceremony, the new council members receive their titles, and Tarisai is chosen to be the new High Judge of Aritsar, the position currently held by Thaddace. She is surprised and doesn’t believe herself capable of hearing cases and passing judgment. The ritual at the Breech begins, with representatives from each land pouring water into a symbolic shield. Instead of appeasing the Underworld, however, the ceremony causes two abiku to emerge from the Breech.
The abiku approach Prince Dayo and explain that the ritual failed because the debt to the Underworld has not been fully paid. Tarisai realizes that Ye Eun did not enter the Breech as she was supposed to. When guards attempt to force the abiku back to the Underworld, chaos breaks out in Ebujo, with demons viciously attacking the citizens who gathered for the ceremony. Rather than protecting everyone equally, the guards and the common folk seek out fellow members of their homeland and work to save them first. Ye Eun understands that the abiku will only stop if she passes through the Breech, so she runs through the opening to the Underworld.
Half a year has passed since the tragic events at Ebujo, and the Prince’s Council have now taken up residence in the coastal palace of Yorua Keep. They must now study, train, and prepare for the day when they will become the Emperor’s Council of Eleven. All the young council members have been affected by the violence of the abiku attack, especially Dayo and Tarisai. Dayo has difficulty sleeping and even sleepwalks away from his bed sometimes. On one of these evenings, Tarisai and Sanjeet follow Dayo and find him digging a hole on the beach in his sleep. As they wake him, he explains that he wants to dig a hole to the Underworld. Kirah escorts Dayo back to bed, and Sanjeet and Tarisai take their time returning to the sleeping pallets. Tarisai shares her thoughts about the treaty with the Underworld and the situation with the Redemptors, expressing her desire to change the treaty so that not all Redemptors come from Songland. Sanjeet does not believe that this level of change is possible. He states that most people believe that Tarisai and Dayo will eventually have a child together, especially given the strength of their friendship. Tarisai scoffs at this and tells Sanjeet that she does not think of Dayo that way at all. Sanjeet is pleased by this revelation.
Tarisai receives a visit from Thaddace, who is checking on her studies. As the High Lady Judge in training, Tarisai must choose a case on which to issue her first ruling. Tarisai wants to rule on a case involving a beggar named Bipo, who is bringing a complaint against the Imperial Council and accusing the person he believes is to blame for his station in life. He claims that because the laws and regulations of the empire caused him to be raised in a workhouse, he never received the help he needed to escape poverty. Tarisai tells Thaddace that she wants to rule in Bipo’s favor so that she can create a system that requires Aritsar to use its wealth to support less fortunate children. Thaddace cautions Tarisai, telling her that justice is less about fairness than it is about maintaining order. He recommends that Tarisai propose a system in which rich families take in orphans for one night to provide these children with a positive experience and to enhance the social standing of their families.
Thaddace also shares a recent decree with Tarisai and Dayo in the aftermath of the events at Ebujo. To promote greater “unity” among the realms of the empire, storytelling drums and written histories from these realms must all be surrendered to the empire. Those who surrender them will receive new imperial items in return. The decree also incentivizes families to choose Arit names for their children rather than realm-specific names, and they are also urged to forego the traditional clothing of their realms.
The young women of Dayo’s council are having their hair braided in preparation for the Nuina Eve Festival that evening. The festival is the only shared holiday of all four major religious sects; it celebrates the birth of humankind. Festivalgoers receive small symbolic tokens in their wine. A cowrie shell, in particular, represents a favor and may be traded in for a romantic gesture. The girls gossip about having romantic encounters with the boys on the council. Although members of the council are not allowed to engage in a romantic relationship with anyone but the emperor, it is common knowledge that many illicit trysts have occurred. Tarisai thinks fondly of Sanjeet. Later, Tarisai returns her scrolls to the study and accidentally spots Thaddace and Mbali having an intimate encounter. A servant almost discovers the two of them as well, but Tarisai loudly distracts him and sends him in the opposite direction.
The Nu’ina Eve festival is filled with dancing and revelry. Tarisai observes that the center of the circle of merriment contains a pit with hot coals. Festivalgoers may cross the single board spanning the pit to remove the curse from a bad token. The council members take turns receiving tokens from their gourds of honey wine. Tarisai receives a sunstone, which typically represents the power or “dominance” of the Arit emperor. Sanjeet receives a small skull token, which signifies death. He knows that this token is connected to his violent past, and he is resigned to the fact that others view him negatively. However, Tarisai decides to remove his curse by crossing the pit of coals. She is miraculously unharmed. With the ill fortune of his unlucky token now negated, Sanjeet is able to receive another one from the honey wine. He dips and drinks from his gourd several times until he finally finds a cowrie shell.
Sanjeet departs the festival grounds without a word. Dayo asks Tarisai to dance, and they demonstrate the strength of their connection to the rhythm of the music. Tarisai recognizes that she feels an inexplicable closeness to Dayo, but she cannot stop thinking about Sanjeet. She eventually slips away to find him. Tarisai says that she has come to claim the cowrie shell token. Sanjeet attaches the shell to an anklet that belonged to Amah and bestows this ornament on Tarisai. She attempts to give him the sunstone in return, but he refuses. Instead, he suggests trading for a kiss. The two kiss passionately and then attempt to return to the festival, but Tarisai is summoned by Thaddace and Mbali. They let her know that they realize she saw them in their romantic encounter, and they ask her to keep this knowledge secret from the emperor. While approaching the festival, Tarisai is struck by a sudden weariness and becomes slightly disoriented. She wanders outside the village and runs into a masked elder, who offers her a drink from a gourd. Upon drinking it, Tarisai regains all her forgotten memories of her history and her fate. The elder is her mother, The Lady, in disguise; she has given Tarisai a drink from Melu’s pool to remind Tarisai of the task that she must complete.
That evening, after all the other council members have fallen asleep, Tarisai wakes Dayo and leads him away from his sleeping pallet. (At this moment, she is not fully in control of her actions because her memories and her mission have been reawakened.) She leads Dayo to Enitawa’s Quiver, a secluded tree where many previous council members have made illicit love. Dayo is confused. He starts to tell Tarisai that he is not interested in sexual activity with anyone. Tarisai has an out-of-body experience and watches herself plunge a knife into Dayo’s side. She returns to her senses and panics, trying to keep Dayo alive. He tells her that it is a good thing that she missed his heart. Sanjeet happens upon them and forces Tarisai away from Dayo, calling her a monster. Tarisai is crushed. Kirah arrives and stabilizes Dayo with one of her songs. Tarisai admits that she tried to kill Dayo and explains her half-ehru parentage and her mother’s wish. Tarisai decides to return to Swana and find her father, Melu, so that she can find a way to prevent her mother’s wish from coming true. Kirah will stay behind to tend to Dayo and create a cover story, and Sanjeet will accompany Tarisai on her journey.
When Tarisai officially becomes a member of Dayo’s council, her accomplishment highlights several key aspects of The Limits and Possibilities of Familial Love. Throughout her childhood, Tarisai has always craved the love and affection that comes from a true family. Because she rarely saw her mother and was raised primarily by tutors and maids, she has never experienced such love firsthand, and she therefore seeks to fill this intangible gap in any way she can. When she is anointed, she gains a new family, albeit one of choice rather than blood, and this new opportunity provides her with the sense of belonging that she has been searching for throughout her life. As Tarisai reflects on her relationship with her council “brothers and sisters,” she remarks, “The freedom to speak into my friends’ minds—to share pictures, even feelings if we wished—was an intimacy unlike any I had ever felt” (108). Even though she and her comrades are not related (or so she assumes), her council members become more important figures in her life than her mother ever was.
However, the novel also makes it clear that even problematic familial connections cannot be so lightly cast aside, for The Lady is disappointed at being replaced and literally forgotten, and she therefore takes steps to forcibly reinsert herself into Tarisai’s life. The Lady’s fervent belief that Tarisai cannot escape her family of origin is connected to the parallel conviction that Tarisai also cannot escape her destiny. As such, the themes of family and fate prove to be inextricably linked in the world of the novel. The lasting impact of The Lady’s emotional hold on her daughter becomes apparent after Tarisai stabs Dayo, for in this moment, she cries for her mother, imploring, “Will you come home now, Mother? [...] It’s so lonely in Bhekina House. The servants won’t touch me and I don’t have any friends and I hate it when you leave; please come back” (173). The utter desolation in her tone emphasizes both The Lady’s neglect and Tarisai’s long-held compulsion to win her mother’s regard. However, although the assassination of Dayo is the goal of the mother she still seeks to please, Tarisai finds herself unable to complete the task. In this way, The Relationship Between Destiny and Choice first becomes clear, for Tarisai is gaining the strength to resist The Lady’s commands and question the destiny that others have chosen for her.
The second section of the novel also makes an initial foray into The Consequences of Sacrificing Justice to Maintain Order. When Tarisai is named the High Lady Judge of Aritsar, she studies past court cases and researches current ones to learn how to hand down her own judgments. Significantly, Tarisai prioritizes fairness and equity throughout her studies, as she demonstrates when she explains her idea for her first court case to Thaddace. Her inherent integrity clashes with Thaddace’s far more cynical view that the maintenance of order and stability is a more important goal than justice. Given his current role as judge, this position reveals much about the inherent injustice of the Arit empire. By juxtaposing Thaddace’s jaded perspective with Tarisai’s earnest quest for fair and balanced verdicts, Ifueko foreshadows the protagonist’s eventual role in revolutionizing her society and addressing many of its inherent flaws. Tarisai believes that Thaddace’s view of justice is “useless” at best and dangerous at worst, and his attempt to advise her only disillusions her and reveals the true nature of her role as High Lady Judge.
This section of the novel highlights the emerging presence of romance in the characters’ lives as they progress in their coming-of-age journeys. Most notably, Tarisai’s friendship with Sanjeet progresses to a crush and begins to deepen into genuine romantic feelings, and Sanjeet even confesses that he loves Tarisai and offers her a cowrie shell token as an emblem of his feelings. However, the author also makes use of a somewhat forced love triangle scenario because most people, including her fellow council members, expect her to choose Dayo and bear a child with him. The supposed choice that Tarisai must make between Dayo and Sanjeet acts as a cursory nod toward the love triangle trope commonly found in such young adult narratives. However, Raybearer deliberately defies this genre convention when both Dayo and Tarisai repeatedly assert that despite the bond of camaraderie that they share, they do not see each other in a romantic light. Thus, the narrative quickly establishes that the driving conflict of the novel will not be based upon a young woman’s choice between two eligible men.
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