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64 pages 2 hours read

Ford Madox Ford

Parade's End

Ford Madox FordFiction | Novel | Adult | Published in 1928

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Symbols & Motifs

Parades

The varied symbolism of a parade runs throughout the novel beginning primarily in the second book, No More Parades. The symbol’s importance for communicating the various types of “parades” featured throughout the novel lent the tetralogy its overall title of Parade’s End. There are several meanings attached to the word parade. The first reference comes in an anecdote from Christopher about a battalion going to war: that there will be no more parades. The literal meaning is that the unit will exist solely for combat purposes and will have no need for military parades. Christopher draws the meaning out even further to indicate that there is no future for any of them, that the old military ways are null and void, and that there is only combat and death. A military parade is also used to signify an inspection. When the General inspects Christopher’s kitchens, they refer to it as a parade. This may also mean a dressing down by a superior officer. Parade signifies the end of the old soldier’s life, epitomized by those who had wanted to be career soldiers prior to the outbreak of war, like Sgt. Maj. Cowley in No More Parades. Parades, however, do not solely deal with military life. The motif is carried over into the civilian sector as well to mean a break with old traditions and mores. When Christopher says he will no longer be on parade after the war, he means that he will no longer act the English country gentleman.

Femme Fatale

The trope of the femme fatale is one under which Sylvia certainly qualifies. A femme fatale is a woman of mystique and great physical attractiveness who uses her beauty and charm to manipulate men. Father Consett compares her to Astarte, a Venus-like goddess. Sylvia most definitely uses her physical beauty to compel men to do her bidding. The most conspicuous example is the way she manipulates Perowne to get her into France and close to Christopher without a visa. For his role in the affair between himself, Christopher, and General O’Hara, Perowne is sent to the front along with Christopher and killed. In essence, his death is on Sylvia’s hands.

Sylvia also spreads rumors about Christopher to ruin his reputation and openly admits her beauty allows her to get away with it. Her greatest lie is that she has cancer; she uses this deception to keep Christopher and Valentine from consummating their love on Armistice Day. While she never had cancer, she also does not appear to suffer any loss of prestige from the lie; she even gains sympathy in certain circles. Furthermore, she manipulates General Campion, turning him against his own godson, Christopher. Towards the end of the novel, Campion finally realizes that Sylvia is not innocent; nevertheless, he still lives with her at Groby and will most likely marry her after she divorces Christopher.

Groby Great Tree

Groby Great Tree emerges as the symbol for the entire Tietjens family. Like the family, the tree is a transplant. The tree is originally from Sardinia, and the Tietjenses came over with William of Orange when he took the English throne in 1689. It is a large cedar that overhangs Groby Hall. It embodies the supposed curse placed upon the Tietjens because they usurped the land from Catholics. When it is felled, the tree represents the lifting of the curse, the end of the Tietjens patriarchal line, and the end of pre-WWI Britain.

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Related Titles

By Ford Madox Ford