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Herbert MarcuseA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Marcuse is a philosopher in the Western tradition. He both embraces and criticizes Western philosophy, consistently referring to Western philosophy as both inspiration for, and obstruction to, radical thinking.
Marcuse consistently returns to Plato’s dialogues as a model for dialectical, liberatory thinking. The dialogues generally consist of a conversation between Socrates and someone else. They begin with an assumed truth rooted in experience, which is then subjected to questioning via this assumption coming into tension with something else that contradicts it. For Socrates, tensions and contradictions are nothing to be feared in thinking; rather, they are the foundation for and enable philosophical inquiry and the pursuit of truth.
These dialogues narrate the origin of Western philosophy as grounded in dialectical logic: Thinking occurs in the genuine consideration of a challenge and the subsequent revision in light of this challenge. The result is a new idea that must be subjected to the same process of inquiry. This process continues until there are no more tensions or contradictions, and truth has been achieved. It is only in holding an assumption up to something that is in tension with it that thinking can ever occur. For Marcuse, philosophy is dialectical thinking.
This embrace of contradiction and tension runs contrary to current assumptions about thinking. Modern assumptions privilege an accumulation of knowledge that can be commodified over the infinite process of dialectical thinking and its constant revelation of the unknown. Dialectical thinking, in its infinite encounter with the unknown in the search for truth, is inherently destabilizing. It thus refuses the status quo.
Advanced industrial society and, more specifically, academic philosophy, however, maintain the status quo and generally privilege the capitalistic accumulation of knowledge over the destabilization of knowledge inherent in dialectical thinking. While ancient Greece did not imagine philosophy as available to the masses, academic philosophy programs have only increased the elitism of a philosophy that is no longer truly philosophical.
Not only is real philosophy dependent on thinking within contradiction, but liberation from any oppressive system—especially the “soft” and comfortable totalitarianism of advanced industrial society—depends on dialectical thinking’s destabilization. In part because dialectical thinking is assumed to be a privilege for the elite in academia, regarded as a marginal pursuit rather than one that is essential to a just society, dialectical thinking has generally and quietly disappeared. Advanced industrial society ensures that dialectical thinking is integrated within its one-dimensionality so that it cannot challenge the status quo.
For Marcuse, the importance and radical nature of dialectical thinking has not changed since Socrates. Thinking within contradiction to arrive at new ideas is two-dimensional and, thus, an inherent refusal of the one-dimensional thinking that defines advanced industrial society. The process of dialectical thinking is itself liberating, and, if this thinking is acted upon by the people, is the means to societal liberation from advanced industrial society’s one-dimensionality. Dialectical thinking is open and intrinsically refuses capitalist accumulation. For Marcuse, revolution lies in dialectical philosophy’s constant reimagining of the world.
Advanced industrial society proudly proclaims its tolerance for “alternative” ways of thinking and being. Tolerance, while generally assumed to be a good thing, however, actually signifies society’s all-consuming power to incorporate these alternatives into its very structure. The tolerance of advanced industrial society is a symptom of what Marcuse calls its “enslavement.”
This “tolerance”—the action not of expelling but of “allowing” something foreign or different to remain within a society—occurs by way of the integration of alternatives into advanced industrial society. “Alternatives” are thus part of the fabric of the status quo and part of its one-dimensionality. This integration allows for a resiliency to these alternatives rather than an openness to them, as occurs in dialectical thinking. The public, however, laud this tolerance as a symptom of democracy’s embrace (rather than suffocation) of pluralism. However, the real function of this tolerance is repression, enabling the enslavement of the people.
The pride with which “tolerance” is espoused in democratic society signifies the ease with which it is able to contain and integrate alternatives that could, instead, be brought into dialectical relation with the status quo. Advanced industrial society forces these alternatives into its one-dimensionality, thus refusing the two-dimensional relation of tension that could be entered and that dialectical thinking requires so that the status quo can then change.
In the past, what Marcuse refers to as “higher culture” existed in tension with society and was on another dimension, in alienation from the status quo. Society was two-dimensional: “Higher culture” was on a higher dimension than the culture of the status quo. While these two dimensions were not brought into dialectical relation with one another, the existence of another dimension of life was an important refutation of the status quo that has since disappeared. “Tolerance” was not relevant, as this refutation existed in alienation from the dominant culture and thus maintained its integrity since it had not been integrated.
Advanced industrial society no longer allows this second dimension of life. This is not to say that the arts have disappeared; on the contrary, the reproduction of the visual and auditory arts as well as literature have allowed for the products of this former “higher culture” to proliferate. This is not entirely negative, as this reproduction and proliferation have enabled democratic access to the products of higher culture. However, this access is the result of the arts becoming “products” extracted from their former life within “higher culture.” Art, music, and literature have been reduced to commodities, easily consumed in their removal from their former alienated existence, thus losing their potential radicalness.
Marcuse’s theory of repressive desublimation is similar to repressive tolerance. There is no need in advanced industrial society to sublimate formerly unacceptable desires or thoughts. Instead, they can be acted out. This seeming “freedom” to express sexual, artistic, and intellectual energies, however, is a sleight of hand. The expression is not only tolerated, but validated, because this validation ensures that this desublimation will be experienced as “freedom” when it is actually a much more panoramic repression.
Marcuse also argues that many of these expressions of desire and intellect, in their integration into one-dimensional society, lose the power that originally resided in their “alternative” dimensionality. Thus, the terms “alternative lifestyle” or “counterculture” speak to what formerly might have been true antagonists in a two-dimensional culture, in which it was possible to exist in another dimension. Now, however, there is only one dimension in which all is subsumed. The discourse of alternatives and counters to society is now one of the many mechanisms of containment that convinces people that all are “free.”
Repressive desublimation is slightly different than this repressive tolerance, however. The theory borrows from Freud’s work on sublimation. Freud theorized that desires that were deemed unacceptable by society were sublimated by the unconscious. These desires were not simply squelched; instead, they were sublimated or channeled in a direction that was acceptable to society. Rather than having a sexual relation that was deemed inappropriate, for example, this desire could be sublimated into artistic production or invention. In the case of Marcuse’s controversial theory of the repressive desublimation of sexuality, he claims that in advanced industrial society repressive sublimation is eradicated—what had previously been sublimated has been desublimated. This initially appears liberating: rather than sublimate sexual desire that is consensual, for example, it can be fulfilled.
Marcuse, however, believes that this desublimation is repressive. “Free” love is so focused on human sexuality and the sexual act that it deadens the erotic dimensions of the natural world, concentrating libido (or life energy) on sex to the exclusion of other life energies in the world. He also argues that advanced industrial society also finds ways of commodifying sexuality, such as through the distribution of pornography. This commodification narrows sexuality even further. As a result, the “openness” of “free” love is, in reality, a narrowing of libidinal energies that becomes part of the one-dimensional world of advanced industrial society, in which the natural world’s energy is generally denied except when it can be commodified.
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