45 pages • 1 hour read
Morgan TaltyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Dee, now much older, narrates the story of the birth of Paige’s first child. When Paige comes home from the hospital with her newborn, she becomes depressed. The child cries excessively because it became addicted to methadone while gestating. Paige refuses to name the child, so Frick and David name him Bedogi, which means thunder. Paige runs away from home, leaving her family to care for Bedogi. Frick says he’s going out in search of Paige, though David’s mother suspects he’s just out drinking.
Neither Paige nor Frick returns for a few days. David’s mother goes out in search of them, leaving David to care for the child. While David is alone with Bedogi, Marla, Paige’s caseworker, tries to come by to check on the child. Though she sees David alone with Bedogi inside the house, David pretends he’s not home. When Marla comes back to the house with the police, David takes Bedogi outside to escape them.
The older Dee narrator interrupts the narrative, explaining that his memory of events is not clear. He describes going outside with Bedogi, staying outside for a long time, and looking at the sun until he went temporarily blind. Bedogi dies in his arms. When David’s mother returns home with Frick and Paige in tow, she sees David and tells him, “This didn’t happen, this didn’t happen, not like this” (276). She lies to the police about how Bedogi died so that David can’t be held responsible. David’s vision returns the day the child’s body is returned to the family, and they hold a ceremony to part with Bedogi.
“The Name Means Thunder” is the only story in the collection about David but explicitly narrated by Dee. This retrospective approach to the narration allows Talty to offer Dee’s perspective on David’s life, while also breaking from David’s story to fill in information about what has happened in the intervening years. Frick, for example, is an active part of David’s plotline, but Dee also jumps ahead to narrate what happened in the wake of Frick’s death years later. This layering of the narrative collapses the past and present, bringing Dee’s current emotional state to bear on the events of the past. This narrative structure reveals how Personal and Communal History are intertwined with the act of storytelling, as Dee’s experiences impact the way he remembers and tells these stories.
Bedogi is a heavily symbolic character, and his fate at the end of the story reflects on many of the collection’s core themes. Bedogi is the collection’s only character to be called by a name in the Penobscot language. This naming choice associates Bedogi with an attempt to connect with, and perhaps return to, a cultural heritage that is imperiled by generations of trauma and erasure. Bedogi himself, though, isn’t free of Entrapment in Cycles of Trauma: He is born addicted to methadone because of Paige’s addiction, and the actual cause of his death is unclear because of the unreliability of Dee’s narration. Bedogi’s arc represents an inability common to all the characters in the story, despite their efforts, to escape the cycles of trauma; his death is only the site of another trauma so impactful that it leaves David blinded (both literally and metaphorically) to the point that he can no longer properly recall the events of the past.
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