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59 pages 1 hour read

Teresa Driscoll

I Am Watching You

Teresa DriscollFiction | Novel | Adult | Published in 2017

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Themes

The Unintended Consequences of Everyday Decisions

Content Warning: This section of the guide contains references to child sexual abuse, self-harm, and suicide.

In Driscoll’s novel, Ella blames herself for Anna’s predicament, lamenting that it was “because I made the wrong decision. Because I made a snap judgement. Because I got on my high horse over Sarah’s behavior” (200). Ella’s tormented narrative illustrates the text’s key idea that everyday decisions can sometimes lead to unintended but monumental consequences. However, the novel also shows that there is no way to predict the consequence of an action. To perform a perfectly safe action, one would need to not act at all. Even then, inaction would have its own ripple effect. Thus, instead of agonizing over the unintended consequences of decisions, people must accept the randomness of life and keep moving forward nevertheless.

Anna’s disappearance, the central mystery of the novel, distills how several small decisions by various people can contribute to an event. Had Jenny and Paul not canceled on the trip to London, perhaps Anna could have been saved. Similarly, the outcome would have been different had Sarah gone back to the hotel with Anna, or if Anna herself had decided to stay in the club. Moreover, had Henry disallowed Anna from going on the trip, as Barbara had wanted, things could have turned out differently. The narrative does not blame any of these characters for their decisions but shows how happenstance or chance works in real life. Another event that highlights the unintended consequences of everyday actions is Matthew’s chasing a young boy as part of his job. Matthew does not intend to arrest the boy and simply asks him to stop. However, the scared boy ends up scrambling on an electrified railway line in panic, and he dies.

Even if Ella had reported the incident on the train immediately, Tim’s threat would have still been present. The same would be true if Anna didn’t go on the trip at all. Thus, it is impossible to predict how things would have turned out, as happenstance is random and controlled by too many variables at any given point in time. As the novel ends, the characters have no choice but to forgive themselves and each other for their decisions, much as Barbara forgives Ella. They must continue taking the best decision they can at the moment because the other option—inaction—can have even more severe consequences.

The Psychological Impact of Guilt and Inaction

Guilt is a powerful emotion in I Am Watching You, with important characters like Ella, Sarah, Henry, and Matthew bogged down under the weight of regret. With a young life in jeopardy, it is natural that characters blame themselves for their role in Anna’s tragedy. Two of the characters even contemplate self-harm because of their consuming guilt. At the suggestion that she is to blame for Anna’s disappearance, Sarah overdoses on paracetamol. While tormented that he could not save his daughter, Anna’s father Henry considers shooting himself and dying by suicide. The guilt these characters experience often turns self-destructive, as in Henry and Sarah’s case, or can lead to stultifying inaction, as in the case of Ella. The narrative explores several ways in which guilt and inaction transform the psyche of characters, suggesting that the only way forward is acceptance and creative action.

One of the ways guilt impacts people is that it impairs their perception of reality. Thus, when Ella receives the first threatening postcard, her response is “a mixture of relief and crippling guilt” (25). Instead of reporting the matter to the police, she feels she deserves to get the postcards. When she gets the second postcard, she assumes it is from Barbara Ballard, Anna’s mother. Ella jumps to this conclusion because she feels she has wronged Barbara; thus, it is natural for Barbara to hate her. Ella’s all-consuming guilt also makes her retreat from others. She notes that she has been ignoring her teenage son Luke to the extent that she did not even realize he was in trouble. When she sees her “six-foot-two boy” sobbing like a toddler, the image shocks her to the core, alerting her to how far she had let things in her own life slide as a result of the all-consuming guilt over her inaction.

Additionally, in Driscoll’s novel, characters often take to silence, passivity, secrets, and lies to cope with their guilt. Barbara and Henry note that Jenny, upset with herself for canceling on Anna, has become numb and socially removed. Sarah, too, seems frozen in time one year after Anna’s disappearance. Unable to accept and admit that she decided to stay back at the club, Sarah suffers a breakdown. Matthew’s guilt at the death of the boy he was chasing has left him with mixed feelings about fatherhood. While he loves his infant daughter immensely, he is also all too aware of the fragility of human life. Thus, various characters are stuck in limbo because of their guilt and grief. The anniversary of Anna’s disappearance acts as a catalyst to jolt the characters out of their stasis. Sarah begins the painful process of sharing her childhood abuse and reporting her father to the police. Ella finally comes clean with Tony, admitting that she hired Matthew to investigate the postcards. Matthew finds redemption through involving himself in Anna’s case. Thus, in the end, the characters learn to move through life despite their guilt.

The Pervasive Threat of Violence Against Women

With the two characters at the center of the plot—Anna and Sarah—dealing with gendered violence, the narrative unpacks how the threat of violence and crime is omnipresent for women and children. The novel also explores how the atmosphere of violence contributes to anxiety in women and leads to psychological terror. A pertinent example of the consequences of this psychological terror is Anna’s decision to leave the nightclub. Anna feels unsafe at the club, stared at by men. When a man winks at her, “she looks away, suddenly all paranoia” (263). She feels she has no choice but to leave the club, and unfortunately walks into a more unsafe situation. Thus, she, like many young women in the real world, is given an impossible dilemma to navigate, with both the club and the street representing unsafe spaces. The narrative presents a realistic portrayal of the many kinds of violence with which women have to deal, and without suggesting a simplistic solution to the quandary.

One of the key aspects of the pervasive threat of violence is that it exists in almost all the spheres women inhabit. The novel especially explores how so-called safe spaces can be treacherous for women and children, including their own homes. Sarah’s father Bob sexually abuses her when she is 13, using her innate trust in him to manipulate her. Sarah recalls the assault as a time when she was “in complete shock. Had no time to process the situation” (88). What makes the assault even more ghastly is that it occurs at home and via a parent. Bob sexually abuses Sarah’s older sister Lily as well, over the course of years. Meanwhile, the greatest threat to Anna is not through strangers, but Tim, one of the boys she considers her best friend.

The experience of violence and abuse has long-lasting impacts on the psyches of young women. Sarah realizes late in the day that her traumatized sister Lily harms herself to cope with the memories of their father’s abuse. It is suggested that Lily also deals with disordered eating. Sarah places herself in increasingly dangerous situations with men—such as at the nightclub—to get their approval, and subsequently hates herself for her sexual expression. The text also examines psychological violence against women, in the form of bullying, judgment for their sexuality, and the sexual double standard. Sarah knows telling the police the whole truth will expose her to risible scrutiny—much like Ella, everyone will judge her for her encounter with Antony. Thus, she bottles up her guilt. Further, Sarah knows that the world views a 16-year-old girl having an end-of-exam party at a nightclub very differently from a young man in a similar situation. Anticipating the psychological violence which will follow the truth, Sarah keeps quiet.

Tim’s murder of Anna represents the apex of male violence against women. The fact that the police cannot ascertain why exactly he killed his friend shows the senselessness of such violence. Anna is not suggested to have behaved with malice toward Tim in the past; instead, she welcomes him into her life. It can be inferred that Tim objectifies Anna, treating her as his property to watch. By killing her, he is able to keep her forever under his eye, and his control. In a world which can sometimes go to any extent to control and curtail women, women characters in the text have to walk a tightrope. The novel does not offer any easy solution to the real-world violence against women but only suggests that people should be cognizant of the fact that the enemy is often a familiar, rather than a stranger.

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