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52 pages 1 hour read

Marie-Helene Bertino

Beautyland

Marie-Helene BertinoFiction | Novel | Adult | Published in 2024

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Part 4Chapter Summaries & Analyses

Part 4: “Supernova (New York City)”

Part 4, Pages 175-193 Summary

The same month during which Adina moves into an apartment near the 7 train and two airports is the month during which astronomers discover that a star in the constellation Aquarius is orbited by seven Earth-size planets. She meets Lionel, who operates a halal food truck and offers advice on living in the city. Adina gets a job as a receptionist for Landry Business Solutions, though she doesn’t understand what work they do. The newly discovered star is named TRAPPIST-1. Adina doesn’t call Dominic or Toni but instead watches the sitcom Friends, which she also doesn’t understand.

Adina types up her previous faxes and stores them. She notices that her neighbor has three ceramic geese on her stoop that she dresses in seasonal attire. Time passes; fashions change. Adina’s mother gets her GED and takes college classes. In the city, Adina adopts a dog that she names Butternut.

At an office meeting one morning, Adina learns that her boss, Santino, loves Snoopy, a character from the Peanuts comic strip. They hear that the Twin Towers have been attacked by airplanes and are evacuated from the building. In the post-9/11 world, Adina sends faxes to her superiors trying to define and describe the city. Adina meets up with Toni, who is an editorial assistant and is dating Audrey. Adina practices saying, “I love you” (193).

Part 4, Pages 194-208 Summary

Adina joins a gym and meets her instructor, Yolanda K., who is enthusiastic and encouraging. Adina asks her superiors if she is doing okay, and they assure her that she is. When she asks if they are doing okay, they respond, “we are attempting not to die” (199). Adina asks for details but doesn’t get a response.

Adina’s mother gives her a tour of her growing garden. She’s in an education program. Meanwhile, Adina’s apartment is broken into, but all that the thieves take is a pillowcase. One day, when the train makes a sound that she recognizes as a word in her first language, Adina thinks, “Even though she is alone, she feels surrounded by family” (205). She wonders how many others like her are out there.

Adina regularly meets Toni, and one day, at the restaurant, a man approaches Adina and identifies himself as her father.

Part 4, Pages 209-219 Summary

Toni, Dominic, and Adina drive back to Philadelphia for Christmas. Adina reflects on how few relationships she has, but she doesn’t want to have a relationship with her father. Her mother has a new partner named Charles. Adina continues sending faxes describing human beliefs and habits. At a Halloween party, a famous writer claims that she’s an alien.

One day, Adina meets a man named Miguel. He says that he’s an alien, too, and Adina wonders if he is one of the others. Miguel, who is a pianist, invites Adina to a performance with him and a singer named Sarah Glide.

Part 4, Pages 220-235 Summary

Adina continues to attend classes at the gym, finding an odd inspiration in Yolanda K.’s teaching style. Toni asks Adina if she would consider publishing her notes. Meanwhile, Adina continues to connect with Miguel. He stays over one night and Adina tells him about the aquarium that she visited as a child. She longs for a connection with him that “will maybe bridge the distance between her and everything, between her and herself” (223). Adina finishes typing up her faxes and sends them to Toni. She makes Miguel lasagna, and he plays a song from the Voyager’s Golden Record. He sees shapes and images when he hears sounds. Miguel wants to have sex, but Adina keeps remembering Amadeo’s penis.

Sarah Glide is mean to Adina in a way that reminds her of the J girls. On a brighter note, Toni’s editor wants to publish Adina’s book. One day, Adina goes to Coney Island with Toni and Dominic, who says that all three of them are queer. Later, Adina has sex with Miguel, but she doesn’t feel pleasure. She asks him what he meant about being an alien and understands that he uses it figuratively to describe how he feels alienated. She accuses her superiors of lying about others like her. Their response is to ask if Earth is suitable for them to live. They say that they have about a year to live. Meanwhile, Toni has a mammogram that detects a lump in her breast.

Adina dates Miguel but is not comfortable having sex. Earth to her seems a backward place in terms of the entire galaxy. In 2015, SETI astronomers find an unusually bright quasar, very young relative to the rest of the universe.

Part 4, Pages 236-259 Summary

Toni is diagnosed with stage three breast cancer. Adina continues to experience her episodes that she calls “Something Else.” She works out at the gym and thinks, “[O]ur puny bodies cannot withstand any of this, how do we get through even one day?” (237).

Adina’s memoir is published as “Alien Opus.” She gives a public reading that is well attended and shares an excerpt about the need to be seen and not be invisible. The response is positive, and “[m]ore humans empathize with [Adina’s] alien experience than anyone anticipated” (245). Adina’s book sells out its print run. She asks her superiors again about the others and, when they refuse to tell her, unplugs her fax machine.

Toni goes through chemotherapy. Miguel convinces Adina to watch the final episode of a TV show, and the episode upsets her. Toni reports that she saw Dakota, who is now a corporate lawyer. Pilots in San Diego report seeing unidentified flying objects when their instruments are upgraded. Discussions are ongoing over her book; one reader decides that Adina has autism. Adina gives another reading, and someone asks if her superiors are happy with her work. She decides not to answer the question.

Miguel leaves Adina and goes to L.A. Adina tells her mother that she doesn’t understand why people want boyfriends or husbands when they take up so much energy. Adina’s mother laments that she must have failed as a parent.

Part 4, Pages 259-272 Summary

Adina sets a trap for a mouse in her apartment, which she has named Roger. The mouse dies. Miguel returns from L.A. to break up with her, saying that it’s like they’re from two different planets. Adina turns on the fax machine and sends repeated faxes, but she gets no response. She watches the news for reports on extraterrestrial sightings and misses the places and people of her childhood. Adina and her mother shop for Toni, whose treatment has not been successful.

One day, Adina finds Butternut, her dog, dead beneath her desk. Following the vet’s advice, she puts the dog’s body in her freezer until she is ready to say goodbye. Adina is with Toni in her last moments and imagines a spark of light in Toni’s chest glowing and lifting away into the air, far above the city. Toni’s body goes still, but Adina thinks, “The light does not dim and continues to travel” (272).

Part 4 Analysis

A supernova is a bright explosion of a massive star, and that image provides a metaphor for Adina’s experience of living in New York City as well as the destruction she feels at the many losses that she experiences: parting from Miguel, the death of her dog, Toni’s death, the breakup with Miguel, and the silence from her superiors. The crowning blow is Toni’s death. Adina images the light leaving Toni in an opposite image from how consciousness, at Adina’s birth, entered her. The death of the mouse, with whom she bonded by naming him Roger, foreshadows a chain of losses. Adina’s attempts to reach out keep ending in terms of disaster or loss, the way the work meeting, when the employees briefly bond over a discussion of their boss’s Snoopy interest, is interrupted by news of the World Trade Center attack, a disaster that leaves a crater in the city and psyches of New Yorkers for years to come.

Adina’s loneliness becomes pronounced in these chapters, despite the paradox that she is living in a populous city. The Desire for Belonging becomes intense as Adina makes her most ambitious attempts yet to reach out to and connect with others. She’s surprised by the cruelty of Sarah Glide, suggesting that Adina, while she feels distanced, is not unkind. Dominic’s declaration that he, Toni, and Adina are all queer provides language to bond them and helps Adina to describe her difference from others. While her lack of sexual desire for Miguel brings her asexuality to the fore, it also reflects her discovery that he is not, in fact, another like her, reinforcing the sense of isolation throughout the text. While the famous writer teased the idea of being an alien to get attention, Adina’s hope that Miguel is from her planet shows her deep longing to connect with people like her, a longing highlighted by the image of the train sound resembling a word in her language. Adina’s bewilderment at the conventional arrangements of human relationships is further signaled by her bafflement with the popular sitcom Friends.

Further connections are teased and then severed when her faxes with her superiors conclude with the question of whether Earth is a suitable refuge for them. Adina can’t answer that question because she doesn’t know if Earth is suitable for her. The meeting with the famous writer foreshadows Adina’s own publication and popularity, but the book doesn’t, as she might have hoped, offer a way to connect and communicate with others, building on that brief exhilaration she felt after her performance in Our Town (1938) by Thornton Wilder. Adina continues to be the isolated observer—the narrator—as her attempts at connection continue to end with loss.

Térèse phrases it as a loss when Adina expresses that she doesn’t understand what compels people to want partners in life; Térèse assumes that this indicates a failure in her mothering. This reinforces the coming out metaphor, as Térèse fears Adina’s resistance to heterosexual norms. Térèse follows the typical linear paths of nurturing, growth, and fulfillment, demonstrated by her garden, her continuing education, and her new partner, Charles. In comparison, Adina’s world continues shrinking. Though she’s grappled before with the role of fathers, when her actual father presents himself, Adina isn’t drawn to him. Autism is one explanation that others (who don’t know Adina and aren’t qualified to diagnose her) use to explain the way Adina relates to people.

The discovery of the star TRAPPIST-1, with its potential planets, provides a metaphor for The Need for a Sense of Purpose. In actuality, though the star was detected in 1999, its seven planets weren’t confirmed until 2016. Bertino conflates the discovery into one event to represent Adina’s initial hopes for change and discovery, which eventually are not rewarded.

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